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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=8188</link>
				<pubDate>Wed, 30 Jun 2021 01:22:04 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=8188" rel="nofollow ugc">So long and thanks for all the fish</a></strong><a href="http://witnessperformance.com/?p=8188" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/alain-pham-WMdKyKpmYDI-unsplash.jpg" /></a> Team Witness &#8211; Alison Croggon, Carissa Lee, Robert Reid and Ben Keene &#8211; got together for a final podcast yarn <a href="http://witnessperformance.com/?p=8188" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=8178</link>
				<pubDate>Tue, 29 Jun 2021 23:57:52 +1000</pubDate>

									<content:encoded><![CDATA[<p>Theatre isn’t in trouble in this country because of the pandemic. As Robert Reid explains, the problems are much deeper – and older – than the Covid-19 crisis.</p>
<p>People are going to blame the pandemic. Peopl [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/felix-mooneeram-evlkOfkQ5rE-unsplash-1.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=8130</link>
				<pubDate>Mon, 28 Jun 2021 07:02:13 +1000</pubDate>

									<content:encoded><![CDATA[<p>La Mama’s Cactus is a sweet coming-of-age tale that addresses the agony of infertility, says Monique Grbec</p>
<p>Cactus at La Mama is a coming-of-age tragi-comedy that brims with laugh-out-loud moments. Written by e [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/cactus-la-mama-teenagers-drama-theatre-comedy-infe2.jpg" /></p>
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				<title>Alison Croggon wrote a new post</title>
				<link>https://witnessperformance.com/?p=8125</link>
				<pubDate>Sun, 27 Jun 2021 01:01:18 +1000</pubDate>

									<content:encoded><![CDATA[<p>Childrens performance critic Gully Thompson says that Parrwang Lifts the Sky is a thrilling example of performance for young people </p>
<p>Children’s theatre is often at its best when it takes risks. As a child, I r [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/Victorian-Opera_Parrwang-Lifts-the-Sky-©-Mel-Serjeant-4-1.jpg" /></p>
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				<title>Emilie Collyer wrote a new post</title>
				<link>https://witnessperformance.com/?p=8110</link>
				<pubDate>Sun, 20 Jun 2021 00:34:00 +1000</pubDate>

									<content:encoded><![CDATA[<p>Emilie Collyer traces the multiple collaborations behind Chamber Made’s bold new work SYSTEM_ERROR</p>
<p>I’m sitting in the semi-dark in the main hall at Arts House in North Melbourne, watching a development day of [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/CM_SYSTEM_ERROR_Tamara-Saulwick-and-Alisdair-Macindoe_Image-Pier-Carthew-1-1.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=8089</link>
				<pubDate>Tue, 08 Jun 2021 04:52:57 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=8089" rel="nofollow ugc">The Witness Interview: Stephen Armstrong and Dan Koerner</a></strong><a href="http://witnessperformance.com/?p=8089" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/Delusion-Asia-TOPA.jpg" /></a> ‘The experience of 2020 really needs to be celebrated and used as a platform for diving into the future … we mus <a href="http://witnessperformance.com/?p=8089" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=8076</link>
				<pubDate>Sat, 29 May 2021 00:48:10 +1000</pubDate>

									<content:encoded><![CDATA[<p>Robert Reid attends The Wilds on the opening night of Rising, and finds that it’s a mixed experience</p>
<p>Described as a “supernatural forest of ice, art, sound and moonlight”, The Wilds at Rising is colle [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/05/Lighthouse_HERO-scaled-e1620356719838.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=8070</link>
				<pubDate>Sun, 23 May 2021 05:42:34 +1000</pubDate>

									<content:encoded><![CDATA[<p>The feminist scifi Mara Korper is challenging, enjoyable and possibly the smartest theatre you&#8217;ll see this year, says Robert Reid</p>
<p>We’re shown to our seats in the plastic boxes and told to select a card from o [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/05/Mara-KORPER-16-92.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=8064</link>
				<pubDate>Sat, 15 May 2021 03:35:28 +1000</pubDate>

									<content:encoded><![CDATA[<p>Maryanne Sam’s comedy of cultural errors leaves you wanting more, says Monique Grbec</p>
<p>To mark the 1871 arrival of Christian missionaries in the Torres Strait Islands, every year on July 1 there is a holiday t [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/05/Yirramboi-festival-Coconut-Woman-photo-by-Tobi-Sam-Morris.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=8060</link>
				<pubDate>Wed, 12 May 2021 23:44:12 +1000</pubDate>

									<content:encoded><![CDATA[<p>This deep-listening show summons connection with the seven seasons of Country, says Monique Grbec</p>
<p>Seasons in Blak Box is an Urban Theatre Projects deep-listening experience curated by Daniel Browning that [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/05/seasons-in-blak-box-photo-by-teresa-tan.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=8056</link>
				<pubDate>Sun, 09 May 2021 01:27:35 +1000</pubDate>

									<content:encoded><![CDATA[<p>Confronting the reality of Black deaths in custody, Big House Dreaming is a powerful work that invites us to question what is wrong with our justice systems, says Monique Grbec</p>
<p>In a month when three First [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/05/bighouse-dreaming-h-0819.jpg" /></p>
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				<title>Anne-Marie Peard wrote a new post</title>
				<link>https://witnessperformance.com/?p=8048</link>
				<pubDate>Sun, 25 Apr 2021 02:58:12 +1000</pubDate>

									<content:encoded><![CDATA[<p>Midsumma show F*ck Fabulous is exhilarating variety that celebrates every kind of queerness, says Anne-Marie Peard</p>
<p>The Fairfax stage is piled with a ceiling-high pyramid of coloured clothes. As an exquisite [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/43A4783.jpg" /></p>
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				<title>BEN BROOKER wrote a new post</title>
				<link>https://witnessperformance.com/?p=8041</link>
				<pubDate>Wed, 21 Apr 2021 22:38:01 +1000</pubDate>

									<content:encoded><![CDATA[<p>Jonathan Biggins’ new show serves up Keating’s greatest hits, but never quite escapes its sketch show origins, says Ben Brooker</p>
<p>More than any other recent Labor leader, Paul Keating is most like the pro [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/a40dd9969a44d35b56fb42073c4c59c4.jpg" /></p>
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				<title>Anne-Marie Peard changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/1255/</link>
				<pubDate>Tue, 20 Apr 2021 23:08:49 +1000</pubDate>

				
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				<title>Gully Thompson wrote a new post</title>
				<link>https://witnessperformance.com/?p=8028</link>
				<pubDate>Sun, 18 Apr 2021 04:58:37 +1000</pubDate>

									<content:encoded><![CDATA[<p>Alan Brough’s new musical for children suffers from thoughtless stereotyping, says youth critic Gully Thompson</p>
<p>Children’s theatre is important. It acts as a doorway into adult theatre and it shapes how you [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/gallery-3.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=8019</link>
				<pubDate>Sat, 17 Apr 2021 22:22:14 +1000</pubDate>

									<content:encoded><![CDATA[<p>After more than a decade apart, comedy duo Lano and Woodley have lost none of their charm, says Robert Reid</p>
<p>The most remarkable thing about comedy duo Lano and Woodley – the alter egos of Colin Lane and F [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/LW_2462x1365.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=8013</link>
				<pubDate>Thu, 15 Apr 2021 08:35:19 +1000</pubDate>

									<content:encoded><![CDATA[<p>Shiralee Hood brings a cracking wit to her Kulin-centric tour of Naarm for her Comedy Festival Show, says Monique Grbec</p>
<p>Naarm is a regular top five on the world’s most liveable cities because of people like t [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/528cropped730x4122.1448170623.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=8001</link>
				<pubDate>Wed, 14 Apr 2021 23:02:55 +1000</pubDate>

									<content:encoded><![CDATA[<p>Malthouse Theatre’s Because the Night is impressive in many ways, but it&#8217;s only a first step in realising what immersive theatre can be, says Robert Reid</p>
<p>I walk from Flinders St Station to the Malthouse, b [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/Malthouse_BecausetheNight_photoPiaJohnson_022_lowres-Jennifer-Vuletic-1.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7995</link>
				<pubDate>Wed, 14 Apr 2021 00:45:12 +1000</pubDate>

									<content:encoded><![CDATA[<p>Insider jokes on classic horror tropes and vaudeville clowning make Innes Lloyd’s latest show a fun ride, says Robert Reid</p>
<p>The newest work from comedy duo Innes Lloyd – briefly at The Butterfly Club for the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/173295252_474260037116344_7639997889419867714_n.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=7980</link>
				<pubDate>Thu, 08 Apr 2021 02:28:28 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=7980" rel="nofollow ugc">The Witness Interview: Daniel Schlusser</a></strong><a href="http://witnessperformance.com/?p=7980" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/IMG_0226-1-1.jpg" /></a> ‘I’m absolutely one for watching a performance that is held by a beautifully written play … but if it’s the onl <a href="http://witnessperformance.com/?p=7980" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7970</link>
				<pubDate>Wed, 17 Mar 2021 22:47:24 +1100</pubDate>

									<content:encoded><![CDATA[<p>Elbow Room’s joyous production of Enlightenment shows the strengths of Melbourne’s indie theatre scene, says Robert Reid</p>
<p>Elbow Room are a magnificent independent theatre company. Driven by fierce int [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/Enlightenment_2021_Crd-Devika-Bilimoria_WEB112-770x375-1.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7965</link>
				<pubDate>Fri, 12 Mar 2021 23:19:24 +1100</pubDate>

									<content:encoded><![CDATA[<p>An irresistible musical with a dark heart, Fangirls summons the chaos of adolescence, says Robert Reid</p>
<p>Fangirls – a multi-award-winning explosion of youthful exuberance in musical theatre form from Belvoir T [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/belvoir_fangirls_photobrettboardman_000390.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7958</link>
				<pubDate>Thu, 11 Mar 2021 00:15:54 +1100</pubDate>

									<content:encoded><![CDATA[<p>Branch Nebula’s High Performance Packing Tape pushes cheap material – and Robert Reid’s patience – to the limits</p>
<p>Branch Nebula are a physical theatre and live art company renowned for their rethinking of urba [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/af21_high-performance-packing-tape_credit-tony-lewis_16.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7954</link>
				<pubDate>Tue, 09 Mar 2021 22:02:13 +1100</pubDate>

									<content:encoded><![CDATA[<p>In A German Life, Robyn Nevin gives a masterly performance of complicity as she recounts the life of Goebbels’ stenographer, says Robert Reid</p>
<p>In 2017 Brunhilde Pomsel, stenographer to the Nazi Minister of P [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/asb2552-a-german-life-credit-andrew-beveridge_hi-001-10.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7934</link>
				<pubDate>Sat, 06 Mar 2021 22:48:37 +1100</pubDate>

									<content:encoded><![CDATA[<p>In his production of Medea, Simon Stone brings his contemporary approach to classic Greek tragedy, and strips it of much of its power, says Robert Reid</p>
<p>It’s been at least a decade since I last saw a work by S [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/af21_hero_medea_tweaked_v2_sanne-peper.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=7929</link>
				<pubDate>Wed, 03 Mar 2021 23:59:41 +1100</pubDate>

									<content:encoded><![CDATA[<p>A dynamic look at the work of 10 emerging artists, Let’s Take Over 2021 at Darebin Arts leaves an enlivening sense of possibility, says Monique Grbec</p>
<p>Let’s Take Over 2021 is guided tour of 10 artworks cre [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/take-over-timthumb.jpg" /></p>
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				<title>Gully Thompson wrote a new post</title>
				<link>https://witnessperformance.com/?p=7925</link>
				<pubDate>Wed, 03 Mar 2021 02:42:08 +1100</pubDate>

									<content:encoded><![CDATA[<p>An experiment that doesn’t quite deliver, We’re Probably Really Really Happy Right Now at Theatre Works is nevertheless a deeply interesting work of queer performance, says Gully Thompson</p>
<p>Experimental the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/03/Theatreworks_WPRRHRN_photoPiaJohnson_7546.jpg" /></p>
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				<title>Gully Thompson wrote a new post</title>
				<link>https://witnessperformance.com/?p=7918</link>
				<pubDate>Wed, 24 Feb 2021 23:34:59 +1100</pubDate>

									<content:encoded><![CDATA[<p>Victorian Opera’s interpretation of the classic opera The Sleeping Beauty – written originally in the wake of the Spanish Flu pandemic – has fresh power in the age of Covid, says Gully Thompson</p>
<p>Sleeping Beaut [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/02/Victorian-Opera-The-Sleeping-Beauty-©-Jeff-Busby-2.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7913</link>
				<pubDate>Wed, 24 Feb 2021 06:33:38 +1100</pubDate>

									<content:encoded><![CDATA[<p>Coming out of last year&#8217;s pandemic, two clowning shows – The Anniversary and Jofus and the Whale – show very different aspects of the art, says Robert Reid</p>
<p>It’s perhaps fitting that the return of live theat [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/02/The-Anniversary_4_600sq.jpg" /></p>
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				<title>Gully Thompson wrote a new post</title>
				<link>https://witnessperformance.com/?p=7907</link>
				<pubDate>Sun, 14 Feb 2021 00:04:08 +1100</pubDate>

									<content:encoded><![CDATA[<p>The evocation of the child within animates the charm of La Mama’s Jofus and the Whale, writes youth critic Gully Thompson</p>
<p>It may be unnecessary to say, but I haven’t been to the theatre for a very long tim [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/02/LaMamaWebBanner.jpg" /></p>
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				<title>Ruby Hamad changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/1236/</link>
				<pubDate>Wed, 27 Jan 2021 23:11:03 +1100</pubDate>

				
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				<title>Ruby Hamad wrote a new post</title>
				<link>https://witnessperformance.com/?p=7897</link>
				<pubDate>Wed, 27 Jan 2021 22:41:30 +1100</pubDate>

									<content:encoded><![CDATA[<p>Produced, written and performed by people of colour, Sex, Drugs &amp; Pork Rolls signals a new wave of Australian storytelling, says Ruby Hamad</p>
<p>Sex, Drugs &amp; Pork Rolls, an unflinching new production that premiered [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/01/Sex_Drug_Pork_Rolls_02-1.jpg" /></p>
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				<title>Ruby Hamad changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/1234/</link>
				<pubDate>Wed, 27 Jan 2021 22:39:47 +1100</pubDate>

				
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				<title>Carissa Lee wrote a new post</title>
				<link>https://witnessperformance.com/?p=7885</link>
				<pubDate>Mon, 25 Jan 2021 20:21:14 +1100</pubDate>

									<content:encoded><![CDATA[<p>January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe</p>
<p>Content warning for First Nat [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/01/johan-mouchet-7at4jbX2-x4-unsplash.jpg" /></p>
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				<title>Kimberley Twiner wrote a new post</title>
				<link>https://witnessperformance.com/?p=7879</link>
				<pubDate>Thu, 21 Jan 2021 00:45:56 +1100</pubDate>

									<content:encoded><![CDATA[<p>Theatre Works’ new Covid-safe seating frames the audience rather than the performance. And what’s with the coffee table? Kimberley Twiner reports</p>
<p>I am in a private audience of three, even though there are 25 [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/01/126901686_3636802433029668_3063112840109711904_o.jpg" /></p>
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				<title>Caitlin Doyle-Markwick wrote a new post</title>
				<link>https://witnessperformance.com/?p=7867</link>
				<pubDate>Sun, 17 Jan 2021 05:19:38 +1100</pubDate>

									<content:encoded><![CDATA[<p>Eternal, DARKFIELD RADIO’s foray into an immersive form of horror, is deliciously effective, says Caitlin Doyle-Markwick</p>
<p>“I want to put your mind at rest,” a voice whispers in your ear, before it goes on to pr [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/01/Eternal-2-cAlex-Purcell.jpg" /></p>
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				<title>Alison Croggon wrote a new post</title>
				<link>https://witnessperformance.com/?p=7854</link>
				<pubDate>Wed, 16 Dec 2020 22:55:28 +1100</pubDate>

									<content:encoded><![CDATA[<p>The Picture of Dorian Gray is spectacular, yet somehow never succumbs to the seductions of spectacle, says Alison Croggon</p>
<p>It’s commonly said that western society is in an age of narcissism, an age in which t [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/12/023_Eryn-Jean-Norvill-in-STC-The-Picture-of-Dorian-Gray-2020-Photo-Dan-Boud.jpg" /></p>
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				<title>BEN BROOKER wrote a new post</title>
				<link>https://witnessperformance.com/?p=7846</link>
				<pubDate>Wed, 16 Dec 2020 02:17:30 +1100</pubDate>

									<content:encoded><![CDATA[<p>Angus Cerini’s The Bleeding Tree reveals the brutalising and disfiguring reality of male violence, says Ben Brooker</p>
<p>“History is full of people who just didn’t,” writes Anne Boyer in her essay “No”, whi [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/12/TR_TheBleedingTree_ElenaCarapetisAnnabelMathesonMirandaDaughtry_9.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7839</link>
				<pubDate>Sun, 13 Dec 2020 20:20:30 +1100</pubDate>

									<content:encoded><![CDATA[<p>Michele Lee’s accomplished play Broth Bitch uses a podcast format to follow the life of a “vegan soup goddess”, says Robert Reid</p>
<p>Using the podcast format to tell a story that spans several decades, Broth Bitch [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/12/Broth-Bitch.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7835</link>
				<pubDate>Fri, 11 Dec 2020 23:26:19 +1100</pubDate>

									<content:encoded><![CDATA[<p>‘People ignore it. Children play tag in spite of it. Teenagers dare each other to punch it.’ Robert Reid on Federation Square’s public artwork Sky Castle</p>
<p>Because it caught my eye – and because apparen [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/12/sky-castle.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7827</link>
				<pubDate>Tue, 08 Dec 2020 21:30:11 +1100</pubDate>

									<content:encoded><![CDATA[<p>The Bloomshed’s audio adaptation of Paradise Lost is a delightfully self aware, satirical take on Milton’s classic epic poem</p>
<p>The Bloomshed is exactly the kind of indie theatre company Melbourne specialises in: [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/12/paradise.jpg" /></p>
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				<title>Emilie Collyer wrote a new post</title>
				<link>https://witnessperformance.com/?p=7818</link>
				<pubDate>Wed, 02 Dec 2020 01:30:29 +1100</pubDate>

									<content:encoded><![CDATA[<p>Emilie Collyer finds her way back to the magic of theatre through four Melbourne Fringe shows</p>
<p>I’ve become quite comfortable with the routine. Hours on end in this mess-piled study, logging onto Zoom, c [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/12/11-02-2020-011918-1546.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=7815</link>
				<pubDate>Sun, 29 Nov 2020 02:10:04 +1100</pubDate>

									<content:encoded><![CDATA[<p>In exploring homelessness in Melbourne, Crash With Me skirts uncomfortably close to trauma porn, says Monique Grbec</p>
<p>Verbatim theatre in this country has a proud history. The critically acclaimed work of [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/07-17-2020-044904-4301.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=7811</link>
				<pubDate>Sat, 28 Nov 2020 01:26:51 +1100</pubDate>

									<content:encoded><![CDATA[<p>A glimpse into everyday family tensions, the intimacy of Source Amnesia is compromised by its video format, says Monique Grbec</p>
<p>Source amnesia is the ability to retain factual knowledge while forgetting where, [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/09-13-2020-115135-9632.jpg" /></p>
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				<title>Monique Grbec wrote a new post</title>
				<link>https://witnessperformance.com/?p=7802</link>
				<pubDate>Wed, 25 Nov 2020 01:09:22 +1100</pubDate>

									<content:encoded><![CDATA[<p>A new digital take on Wonderland, Alice2 picks up how Lewis Carroll used popular games as narrative structures, says Monique Grbec</p>
<p>Lewis Carroll’s 1865 and 1872 fairytales Alice’s Adventures in Wonderland and [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/10-01-2020-020834-5095.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7798</link>
				<pubDate>Sat, 21 Nov 2020 22:43:12 +1100</pubDate>

									<content:encoded><![CDATA[<p>The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid</p>
<p>The Agency of Coney has been a playful shadowy presence in British theatre and live art communities s [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/annie-spratt-goholCAVTRs-unsplash.jpg" /></p>
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				<title>Robert Reid wrote a new post</title>
				<link>https://witnessperformance.com/?p=7787</link>
				<pubDate>Sat, 21 Nov 2020 02:52:23 +1100</pubDate>

									<content:encoded><![CDATA[<p>The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world</p>
<p>There has been a square red envelope on my desk for a few days now: bright and insistent, urgent, even. My name is [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/A-Red-Square_Img-3_Credit-Dom-Weintraub.png" /></p>
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				<title>Jana Perković wrote a new post</title>
				<link>https://witnessperformance.com/?p=7781</link>
				<pubDate>Wed, 18 Nov 2020 23:35:21 +1100</pubDate>

									<content:encoded><![CDATA[<p>‘Left with Netflix, I realise that art may indeed be as crucial as food and shelter’: Jana Perković on watching European performance through the pandemic</p>
<p>In a normal year – between my various jobs as a critic [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/SunriseSunset_5727.jpg" /></p>
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				<title>Jana Perković changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/1207/</link>
				<pubDate>Wed, 18 Nov 2020 23:07:51 +1100</pubDate>

				
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				<title>Harriet Cunningham wrote a new post</title>
				<link>https://witnessperformance.com/?p=7774</link>
				<pubDate>Fri, 06 Nov 2020 22:26:35 +1100</pubDate>

									<content:encoded><![CDATA[<p>Gertrude Opera’s online lockdown festival explores new ways of telling stories with music, says Harriet Cunningham</p>
<p>How do you do opera during a stage four lockdown? In transforming their Yarra Valley Opera F [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/11/GO_KATE-KELLY_Emily-Burke.jpg" /></p>
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