The subtleties of grieving are beautifully evoked in Lemony S Puppet Theatre’s Taking the Waters, says Robert Reid
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Kate Hunter’s theatre poem Earshot – remounted last week for the Due West Arts Festival – is a darkly pleasurable delight, says Alison Croggon
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‘This is not a show: it’s a wake-up call.’ Youth critic Gully Thompson on Born in a Taxi’s Children of the Evolution
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Despite stellar artists, The Audition at La Mama thins out and ultimately goes nowhere, says Robert Reid
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The Rabble’s triptych Unwoman is a scorching interrogation of how the reproductive body is controlled and policed. And, says Alison Croggon, it’s extraordinary theatre
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These days, says comic Angelina Hurley, there’s no excuse not to understand Aboriginal and Torres Strait Islander cultures. And what better way to get to know them than through humour?
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The Melbourne Theatre Company’s Photograph 51 dramatises the inexorable diminishment of a brilliant woman, says Alison Croggon
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Thigh Gap at La Mama tracks how the demands of patriarchy turn us into monsters, says Robert Reid
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A Normal Child evokes the ‘awkwardness, contradiction and messy humanity’ of the question of representation, says Robert Reid
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The swiss.style program currently running at Dancehouse provides some of the most exciting dance seen recently in Melbourne. Andrew Fuhrmann reviews.