Emilie Collyer finds her way back to the magic of theatre through four Melbourne Fringe shows
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A glimpse into everyday family tensions, the intimacy of Source Amnesia is compromised by its video format, says Monique Grbec
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A new digital take on Wonderland, Alice² picks up how Lewis Carroll used popular games as narrative structures, says Monique Grbec
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The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid
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The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world
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‘Left with Netflix, I realise that art may indeed be as crucial as food and shelter’: Jana Perković on watching European performance through the pandemic
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Gertrude Opera’s online lockdown festival explores new ways of telling stories with music, says Harriet Cunningham
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Witness critics preview this year’s Melbourne Fringe program, here despite everything
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Darkfield Radio’s Visitors, an audio ghost story in which the set is your own home, leaves Robert Reid hungry for more
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Carissa Lee investigates a research project that aims to redress the historical neglect of work by women and non-binary theatre makers