In his production of Medea, Simon Stone bring his contemporary approach to classic Greek tragedy, and strips it of much of its power, says Robert Reid
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A dynamic look at the work of 10 emerging artists, Let’s Take Over 2021 at Darebin Arts leaves an enlivening sense of possibility, says Monique Grbec
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An experiment that doesn’t quite deliver, We’re Probably Really Really Happy Right Now at Theatre Works is nevertheless a deeply interesting work of queer performance, says Gully Thompson
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Victorian Opera’s interpretation of the classic opera The Sleeping Beauty – written originally in the wake of the Spanish Flu pandemic – has fresh power in the age of Covid, says Gully Thompson
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Coming out of last year’s pandemic, two clowning shows – The Anniversary and Jofus and the Whale – show very different aspects of the art, says Robert Reid
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The evocation of the child within animates the charm of La Mama’s Jofus and the Whale, writes youth critic Gully Thompson
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Produced, written and performed by people of colour, Sex, Drugs & Pork Rolls signals a new wave of Australian storytelling, says Ruby Hamad
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January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe
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Theatre Works’ new Covid-safe seating frames the audience rather than the performance. And what’s with the coffee table? Kimberley Twiner reports
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Eternal, DARKFIELD RADIO’s foray into an immersive form of horror, is deliciously effective, says Caitlin Doyle-Markwick