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Vox Motus’ Flight is a powerful artwork about child asylum seekers that drives home global realities, says young critic Gully Thompson

Twin Peaks, Lady Gaga, the Wizard of Oz and Santa Claus: UK critic Megan Vaughan reviews Adena Jacobs and Marg Horwell’s trashy interpretation of Salome at the English National Opera in London

Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an old tragedy, says First Nations Emerging Critic Carissa Lee

‘The worst thing about a tragicomedy is the tragedy’: New Review critic Monique Grbec on 15 Minutes from Anywhere’s  Just a Boy, Standing in Front of a Girl 

La Boite’s Prize Fighter packs a mighty emotional punch, says Robert Reid

The music of Mark Morris’ Layla and Majnun is unmissable, says Alison Croggon. But she’s not so sure about the dance

Keith Gow ponders the positives and negatives of Tennessee Williams’ Suddenly Last Summer, in a new production from Red Stitch and Little Ones Theatre

‘Trauma, its aftershocks, its fragmentation, its strange, loud silence.’ Alison Croggon on Rawcus’ Song for a Weary Throat

Robert Reid finds the circus of NoFit State’s Lexicon impressive but lacking in focus

‘I realise that I don’t believe any more that silence is Australia’s problem, that I think the opposite’: Robert Reid sorts through his dissastisfactions with Belarus Free Theatre’s co-production with Malthouse, Trustees