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In his production of Medea, Simon Stone bring his contemporary approach to classic Greek tragedy, and strips it of much of its power, says Robert Reid

A dynamic look at the work of 10 emerging artists, Let’s Take Over 2021 at Darebin Arts leaves an enlivening sense of possibility, says Monique Grbec

An experiment that doesn’t quite deliver, We’re Probably Really Really Happy Right Now at Theatre Works is nevertheless a deeply interesting work of queer performance, says Gully Thompson

Victorian Opera’s interpretation of the classic opera The Sleeping Beauty – written originally in the wake of the Spanish Flu pandemic – has fresh power in the age of Covid, says Gully Thompson

Coming out of last year’s pandemic, two clowning shows – The Anniversary and Jofus and the Whale – show very different aspects of the art, says Robert Reid

The evocation of the child within animates the charm of La Mama’s Jofus and the Whale, writes youth critic Gully Thompson

Produced, written and performed by people of colour, Sex, Drugs & Pork Rolls signals a new wave of Australian storytelling, says Ruby Hamad

January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe

Theatre Works’ new Covid-safe seating frames the audience rather than the performance. And what’s with the coffee table? Kimberley Twiner reports

Eternal, DARKFIELD RADIO’s foray into an immersive form of horror, is deliciously effective, says Caitlin Doyle-Markwick