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				<title>Ben Keene wrote a new post</title>
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				<pubDate>Wed, 30 Jun 2021 01:22:04 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=8188" rel="nofollow ugc">So long and thanks for all the fish</a></strong><a href="http://witnessperformance.com/?p=8188" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/alain-pham-WMdKyKpmYDI-unsplash.jpg" /></a> Team Witness &#8211; Alison Croggon, Carissa Lee, Robert Reid and Ben Keene &#8211; got together for a final podcast yarn <a href="http://witnessperformance.com/?p=8188" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<pubDate>Tue, 08 Jun 2021 04:52:57 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=8089" rel="nofollow ugc">The Witness Interview: Stephen Armstrong and Dan Koerner</a></strong><a href="http://witnessperformance.com/?p=8089" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/06/Delusion-Asia-TOPA.jpg" /></a> ‘The experience of 2020 really needs to be celebrated and used as a platform for diving into the future … we mus <a href="http://witnessperformance.com/?p=8089" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<pubDate>Thu, 08 Apr 2021 02:28:28 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=7980" rel="nofollow ugc">The Witness Interview: Daniel Schlusser</a></strong><a href="http://witnessperformance.com/?p=7980" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2021/04/IMG_0226-1-1.jpg" /></a> ‘I’m absolutely one for watching a performance that is held by a beautifully written play … but if it’s the onl <a href="http://witnessperformance.com/?p=7980" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<pubDate>Wed, 23 Sep 2020 03:28:21 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=7669" rel="nofollow ugc">Witness Podcast: Does art matter?</a></strong><a href="http://witnessperformance.com/?p=7669" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/09/AdobeStock_298093125.jpeg" /></a> Six months into the pandemic, Team Witness meets online to chew the fat on art, life and making meaning <a href="http://witnessperformance.com/?p=7669" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<pubDate>Sun, 16 Aug 2020 22:52:48 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=7501" rel="nofollow ugc">Podcast: Spotlight on BLEED 2020</a></strong><a href="http://witnessperformance.com/?p=7501" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2020/08/KQ9TPr4T.jpg" /></a> Ben Keene investigates how BLEED 2020 pivoted to existing entirely online after Covid-19 hit in March this <a href="http://witnessperformance.com/?p=7501" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<pubDate>Tue, 30 Jul 2019 02:49:29 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;You are asking someone from the field into the house, and we are going to fight. Because I will always fight to decentralise the white patriarchy&#8217;</p>
<p>Candy Bowers is an auteur &#8211; in her work, she is a [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/07/Candy-B-Headshot_Web_editted-e1491779727289.jpg" /></p>
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				<pubDate>Wed, 24 Jul 2019 00:53:50 +1000</pubDate>

									<content:encoded><![CDATA[<p>Mama Alto&#8217;s Torch Songs at the Melbourne Recital Centre shows why she&#8217;s one of Australia&#8217;s most essential voices, says Ben Keene<br />
Mama Alto is a unique performer who has accumulated a devoted audience for her [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/07/I0A0902.jpg" /></p>
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				<pubDate>Fri, 12 Jul 2019 04:35:54 +1000</pubDate>

									<content:encoded><![CDATA[<p>‘I don’t have a process… What I do is put things that interest me on stage.’</p>
<p>In this month’s podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia’s most important and intriguing [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/07/Website-6-1180x788.jpg" /></p>
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				<pubDate>Fri, 14 Jun 2019 04:25:55 +1000</pubDate>

									<content:encoded><![CDATA[<p>‘There’s something fundamentally wrong with young men…that they gravitate to war, that they gravitate to violence, that they gravitate to self destruction…I’ve always felt compelled to wrestle with that.’ [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/06/AM1-3.jpg" /></p>
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				<pubDate>Tue, 09 Apr 2019 23:03:43 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;We still tend to overlook and ignore the remarkable work of Australians&#8217;</p>
<p>Robert Reid talks to broadcaster, writer and general arts stalwart Richard Watts, discussing his background as a poet, activist and [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/04/richard-watts-1.jpg" /></p>
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				<pubDate>Thu, 14 Mar 2019 23:38:50 +1100</pubDate>

									<content:encoded><![CDATA[<p>Moira Finucane, &#8216;the patron saint of magpies&#8217;, digs into her creative practice in Part 2 of her interview with Ben Keene</p>
<p>In Part 2 of this funny, fabulous and very candid two-part episode of The Witness [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/03/glory-box-la-revolucion-landscape-21-1024x680.jpg" /></p>
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				<pubDate>Thu, 14 Mar 2019 23:34:37 +1100</pubDate>

									<content:encoded><![CDATA[<p>&#8216;When I think about art, I think: what raises the hair on your arms’</p>
<p>In the first part of this funny, fabulous and very candid two-part episode of The Witness Interview, Ben Keene talks to the seductive and s [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/03/Moira-Finucane-The-Gothic-Parlour-Picture-Elise-Derwin-1050x700.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
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				<pubDate>Wed, 16 Jan 2019 01:54:57 +1100</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=4956" rel="nofollow ugc">Witness Spotlight: The Bridge</a></strong><a href="http://witnessperformance.com/?p=4956" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/01/DSC_0633-copy-Gary-Bridge-in-landscape.jpeg" /></a> &#8216;We’re pulling people out, half dead, half alive&#8230;&#8217;    Listen to The Bridge here    The collapse of the West G <a href="http://witnessperformance.com/?p=4956" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<pubDate>Mon, 10 Dec 2018 00:19:05 +1100</pubDate>

									<content:encoded><![CDATA[<p>‘I’m 37 years old, it’s time I was an evil witch’</p>
<p>For our last Witness Interview of 2018, Robert Reid talks to Ming-Zhu Hii about many things, including artistic risk, the commodification of the arts, racial [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/12/MwasGE5w.jpg" /></p>
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				<pubDate>Thu, 08 Nov 2018 03:59:45 +1100</pubDate>

									<content:encoded><![CDATA[<p>In our eighth Witness Podcast, Carissa Lee and Alison Croggon discuss the importance of diversity in arts criticism: why we need it, and why the lack of it contributes to inequalities in the arts.</p>
<p>Further [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/11/IMG_7827.jpeg" /></p>
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				<pubDate>Wed, 03 Oct 2018 22:35:18 +1000</pubDate>

									<content:encoded><![CDATA[<p>‘I wanted to be in a place where I was treated as an adult human as an artist’</p>
<p>For this month&#8217;s Witness Interview, Robert Reid talks to Australian playwright Amelia Roper about making a career in the Uni [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/10/amelia.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=3954</link>
				<pubDate>Tue, 04 Sep 2018 22:20:53 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;There are gods walking through performance&#8217;</p>
<p>Is there a new energy sweeping through our theatres? It&#8217;s been six months since Witness launched, so founders Robert Reid and Alison Croggon take the opportunity [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/DSC_3356-1.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=3864</link>
				<pubDate>Wed, 22 Aug 2018 03:59:15 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;We keep reinventing the wheel&#8221;</p>
<p>In this wide-ranging interview with Robert Reid, director, actor, teacher and dramaturge Melanie Beddie looks over a lifetime working in theatre, from her beginning at the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/08/Melanie_Beddie.jpg" /></p>
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				<pubDate>Tue, 31 Jul 2018 23:44:21 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;It&#8217;s really important to me that my work is generative&#8221;</p>
<p>For this month&#8217;s interview, Alison Croggon talks to choreographer Lucy Guerin, artistic director of Lucy Guerin Inc, about her early career as a [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/08/LucyGuerin.jpg" /></p>
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				<link>https://witnessperformance.com/?p=3756</link>
				<pubDate>Tue, 31 Jul 2018 14:00:19 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;Are we going to be having the same conversations again in ten years?&#8221;</p>
<p>In this month&#8217;s Witness Podcast, Carissa Lee, Robert Reid and Alison Croggon look at the mechanisms of discourse. How do we manage [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/08/DSC_3344.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
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				<pubDate>Wed, 04 Jul 2018 19:43:34 +1000</pubDate>

									<content:encoded><![CDATA[<p>On The Witness Podcast this month, Carissa Lee and Alison Croggon discuss the recent controversy around the VCA dance work Where We Stand, which caught the attention of right wing commentators and faced calls [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/07/podcast-1-1170x878.jpg" /></p>
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				<link>https://witnessperformance.com/?p=3541</link>
				<pubDate>Fri, 15 Jun 2018 05:20:29 +1000</pubDate>

									<content:encoded><![CDATA[<p>This month we have a treat: Robert Reid talks to actor, theatre maker and performer Yoni Prior about her work with Barrie Kosky&#8217;s first company, Gilgul. Formed in 1990, Gilgul was Australia&#8217;s first p [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/06/YoniPrior-1170x878.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=3438</link>
				<pubDate>Thu, 31 May 2018 20:20:49 +1000</pubDate>

									<content:encoded><![CDATA[<p>Arts funding. It’s not a sexy subject, but anyone interested in Australian culture needs to know how it works. Since 2013, the absolute number of individual artists and organisations funded by the Australia Co [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/05/DSC_3356.jpg" /></p>
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				<pubDate>Thu, 17 May 2018 02:52:19 +1000</pubDate>

									<content:encoded><![CDATA[<p>For our third Witness Interview, Robert Reid talks to Jane Woollard, playwright, director and historian.  Woollard has been uncovering the hidden history of women such as Eliza Winstanley Anne Clarke in 19th [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/05/RR-Jane-Woolard-1170x878.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=3149</link>
				<pubDate>Mon, 30 Apr 2018 23:00:51 +1000</pubDate>

									<content:encoded><![CDATA[<p>The Witness Podcast, Episode 3. Recently British critic Quentin Letts caused a storm by suggesting the RSC cast an actor only because he was black. Is this in fact racist criticism? (Spoiler: Yes, it is!) Is [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/DSC_3344-e1520025170615.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=3123</link>
				<pubDate>Mon, 23 Apr 2018 00:13:25 +1000</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="http://witnessperformance.com/?p=3123" rel="nofollow ugc">The Witness Interview: Richard Frankland</a></strong><a href="http://witnessperformance.com/?p=3123" rel="nofollow ugc"><img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/unnamed-1170x878.jpg" /></a> In this must-listen episode of The Witness Interview, Gunditjmara man Richard Frankland speaks candidly to <a href="http://witnessperformance.com/?p=3123" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Ben Keene wrote a new post</title>
				<link>https://witnessperformance.com/?p=3008</link>
				<pubDate>Mon, 02 Apr 2018 22:00:39 +1000</pubDate>

									<content:encoded><![CDATA[<p>In our second Witness podcast, Team Witness gets down to some nitty gritty. Last month, Soda Jerk&#8217;s film Terra Nullius was disowned for being &#8220;unAustralian&#8221; by its philanthropic commissioning body, the Ian [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/podcast-2.jpg" /></p>
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				<pubDate>Mon, 02 Apr 2018 22:00:34 +1000</pubDate>

									<content:encoded><![CDATA[<p>Witness sound editor Ben Keene gives us a peek inside his editing studio, and his experience with the &#8220;musical illusion&#8221;: the song of conversation</p>
<p>The first editing job I ever did involving the spoken word was [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/Boj.png" /></p>
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				<title>Ben Keene wrote a new post</title>
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				<pubDate>Sun, 01 Apr 2018 23:46:25 +1000</pubDate>

									<content:encoded><![CDATA[<p>For those who missed our launch and the announcement of the inaugural First Nations Emerging Critic Carissa Lee last month, here&#8217;s a taste of what happened on that beautiful autumn afternoon, put together by [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/28379396_10156511973260649_7141090025042141542_n.jpg" /></p>
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				<title>Ben Keene wrote a new post</title>
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				<pubDate>Thu, 15 Mar 2018 06:53:35 +1100</pubDate>

									<content:encoded><![CDATA[<p>In the first episode of The Witness Interview, Robert Reid talks to Patricia Cornelius, playwright, performer and thorn in the side of the patriarchy, remembering the brilliant director Eva Czajor, and di [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/patricia-1170x878.jpg" /></p>
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				<link>https://witnessperformance.com/?p=2672</link>
				<pubDate>Fri, 02 Mar 2018 20:00:07 +1100</pubDate>

									<content:encoded><![CDATA[<p>For our first Witness podcast, Alison Croggon, Carissa Lee and Robert Reid discuss the crucial importance of Indigenous critical voices, and ponder how to talk about contemporary dance in the lead-up to our [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/DSC_3344-e1520025170615.jpg" /></p>
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				<title>Daniel Keene changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/34/</link>
				<pubDate>Mon, 29 Jan 2018 04:39:19 +1100</pubDate>

				
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				<title>Ben Keene changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/32/</link>
				<pubDate>Mon, 29 Jan 2018 03:11:21 +1100</pubDate>

				
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				<title>Daniel Keene and Ben Keene are now friends</title>
				<link>https://witnessperformance.com/activity/p/31/</link>
				<pubDate>Mon, 29 Jan 2018 03:07:35 +1100</pubDate>

				
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