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	<title>Witness Performance | Tony Knight | Activity</title>
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				<title>Tony Knight posted a new activity comment</title>
				<link>https://witnessperformance.com/the-centre-cannot-hold/#comment-10729</link>
				<pubDate>Thu, 26 Nov 2020 02:22:52 +1100</pubDate>

									<content:encoded><![CDATA[<p>Absolutely terrific article, Robert; so succinctly and eloquently argued.</p>
				<strong>In reply to</strong> -
				<a href="https://witnessperformance.com/members/robertr/" rel="nofollow ugc">Robert Reid</a> wrote a new post 
The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, says Robert Reid



As I sat waiting for my next zoom class to start, the news e [&hellip;]			]]></content:encoded>
				
				
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				<title>Tony Knight posted a new activity comment</title>
				<link>https://witnessperformance.com/adelaide-festival-la-reprise-histoires-du-theatre-1/#comment-1571</link>
				<pubDate>Tue, 12 Mar 2019 21:55:58 +1100</pubDate>

									<content:encoded><![CDATA[<p>Thank you, Alison. You have articulated my concerns in regard to this production. Yes &#8211; extremely well done, but I found it ultimately rather repellent and questionable. It was not intended as ‘good night in the theatre’ and it most certainly wasn’t as far as I’m concerned. As a gay activist I don’t need to be lectured or subjected to overwhelm&hellip;<span class="activity-read-more" id="activity-read-more-793"><a href="https://witnessperformance.com/adelaide-festival-la-reprise-histoires-du-theatre-1/#comment-1571" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://witnessperformance.com/members/alison-croggon-3/" rel="nofollow ugc">Alison Croggon</a> wrote a new post &#8216;It feels like the same old exploitations, enacted now in the name of art&#8217;: Alison Croggon on Milo Rau&#8217;s La Reprise
Content warning: racist and homophobic violence

Swiss director [&hellip;]			]]></content:encoded>
				
				
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				<title>Tony Knight posted a new activity comment</title>
				<link>https://witnessperformance.com/rage-humiliation-and-opportunity-metoo-in-the-performing-arts/#comment-1421</link>
				<pubDate>Wed, 06 Mar 2019 20:57:53 +1100</pubDate>

									<content:encoded><![CDATA[<p>Dan Speilman is a wonderful actor and I have enjoyed everything that I have seen him do. Excellent article that is considered, thoughtful and sensitive to the demands of acting. I don&#8217;t think there is an easy answer to this issue. Each incident needs to be assessed on its own rather than rely on a kind of Orwellian label such as &#8216;All humans are&hellip;<span class="activity-read-more" id="activity-read-more-779"><a href="https://witnessperformance.com/rage-humiliation-and-opportunity-metoo-in-the-performing-arts/#comment-1421" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://witnessperformance.com/members/stinkybill/" rel="nofollow ugc">Dan Spielman</a> wrote a new post &#8216;We should be thinking, not about how these processes inhibit our expression, but how they might liberate it&#8217;: actor Dan Spielman explores the implications of #MeToo in the performing [&hellip;]			]]></content:encoded>
				
				
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