https://witnessperformance.com/members/voneill/activity/ Activity feed for Vanessa O'Neill. Tue, 09 Jan 2024 00:24:08 +1100 https://buddypress.org/?v= en-AU 30 hourly 2 649359c99e34b832bd823403e71edcbe https://witnessperformance.com/the-turmoil-of-being-young/#comment-511 Fri, 14 Sep 2018 11:37:20 +1000 I wholeheartedly agree. I saw the play tonight and loved it. Smart, tender and moving. Highly recommended!

In reply to - Alison Croggon wrote a new post Emily Sheehan’s debut play Hell’s Canyon demonstrates a sure theatrical imagination, says Alison Croggon We simply don’t value young people enough in Australian theatre. On the o […] ]]> 90019bf42e386c2edc86bd34bdc52e04 https://witnessperformance.com/blasted/#comment-492 Fri, 31 Aug 2018 06:00:03 +1000 Yes indeed. I saw the production of Blasted at Belvoir Downstairs about 15 years ago with Kate Mulvany in it. And I saw Crave at Belvoir
Downstairs at around the same time (both part of BSharp from memory). I’ve also previously seen 4:48 Psychosis at La Mama (Faraday St). It is great to finally see a mainstage production of a Sarah Kane play in…[Read more]

In reply to - Alison Croggon wrote a new post ‘Riveting, real and unreal, like a nightmare’: Alison Croggon on Anne-Louise Sarks’ crystalline production of Sarah Kane’s Blasted CW: Discussion of trauma and violence, esp […] ]]> b399b84be233e4a0aec2320058f4eb6f https://witnessperformance.com/blasted/#comment-490 Fri, 31 Aug 2018 05:31:52 +1000 An extraordinarily insightful review Alison. A breathtakingly complex analysis of the play and this production. Every time I read your reviews you help to deepen my own understanding of the work that I have witnessed. We are so lucky to have you here in Melbourne. Thanks as ever for you razor sharp ability to analyse theatre. Xxx

In reply to - Alison Croggon wrote a new post ‘Riveting, real and unreal, like a nightmare’: Alison Croggon on Anne-Louise Sarks’ crystalline production of Sarah Kane’s Blasted CW: Discussion of trauma and violence, esp […] ]]>