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				<title>Witness Performance posted a new activity comment</title>
				<link>https://witnessperformance.com/all-the-webs-a-stage/#comment-9382</link>
				<pubDate>Thu, 06 Aug 2020 06:26:56 +1000</pubDate>

									<content:encoded><![CDATA[<p>Hey Matt, yeah you&#8217;re absolutely right about it being a fine line between involving amateurs and exploiting unpaid performers.  I think the best way to manage that is to see it as a fluid thing, that as volunteers become increasingly involved that they should be able to move into paid work.  The ARG and LARP communities have had a habit of playing&hellip;<span class="activity-read-more" id="activity-read-more-1169"><a href="https://witnessperformance.com/all-the-webs-a-stage/#comment-9382" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://witnessperformance.com/members/robertr/" rel="nofollow ugc">Robert Reid</a> wrote a new post 
Maybe traditional performing arts could learn a lot from YouTube vloggers and online games. For the launch of BLEED 2020, Robert Reid investigates live digital performance 







Now, [&hellip;]			]]></content:encoded>
				
				
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				<pubDate>Thu, 12 Sep 2019 01:53:24 +1000</pubDate>

									<content:encoded><![CDATA[<p>Setting the bar high: youth correspondent Gully Thompson on the Melbourne season of Terrapin&#8217;s A Not So Traditional Story, opening soon at the Brisbane Festival<br />
Educational theatre has a bit of a bad reputation. [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/09/a-not-so-traditional-story3.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
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				<pubDate>Sun, 11 Aug 2019 21:20:20 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;The level of the audience’s participation in the show, whether it was screams, cheers, boos or bear growls, was something to behold&#8217;: youth critic Gully Thompson on Black Honey&#8217;s One the Bear<br />
I love to see s [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/08/Primary-and-lower-secondary-schools_Event_Header_Desktop.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=6016</link>
				<pubDate>Sun, 11 Aug 2019 00:20:52 +1000</pubDate>

									<content:encoded><![CDATA[<p>Autistic critic Jess Flint reviews A_tistic Theatre&#8217;s Helping Hands, a show that explores how &#8216;help&#8217; can sometimes be the opposite<br />
Helping Hands, the new performance by A_tistic Theatre, seeks to define exactly [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/08/I0A3712.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5975</link>
				<pubDate>Tue, 30 Jul 2019 02:43:55 +1000</pubDate>

									<content:encoded><![CDATA[<p>How do we make systemic change in an often resistant industry? Jessica Walton reflects on an empowering symposium on disability and the arts<br />
What defines an emerging artist? At what point do we stop emerging, and [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/07/IMG_0884.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
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				<pubDate>Tue, 30 Jul 2019 02:39:38 +1000</pubDate>

									<content:encoded><![CDATA[<p>From its initial season as a fringe play, Fleabag has grown to a global phenomenon. Kirsten Krauth talks to Sian Clifford about playing sisters with Phoebe Waller-Bridge<br />
The shock of the first season of Fleabag [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/07/sianumbrella.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5853</link>
				<pubDate>Fri, 12 Jul 2019 04:31:24 +1000</pubDate>

									<content:encoded><![CDATA[<p>When Tom Middleditch, a vocal advocate for neurodiverse representation on stage, saw Robot Song, his first response was rage. But then he changed his mind. This is what happened&#8230;<br />
One thing I value, both as a [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/07/Robot_song_marketing_ashlea_pyke_SRGB_Web_low_res.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5722</link>
				<pubDate>Tue, 14 May 2019 23:50:39 +1000</pubDate>

									<content:encoded><![CDATA[<p>Canadian First Nations choreographer Lara Kramer draws a surreal picture of colonised life in Windigo, says Philipa Rothfield<br />
Windigo by Lara Kramer, a Canadian choreographer of Cree, Ojibwe and Mennonite [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/05/Windigo_cr_Frederic-Chais_8.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5687</link>
				<pubDate>Wed, 08 May 2019 00:36:26 +1000</pubDate>

									<content:encoded><![CDATA[<p>Yumi Umiumare&#8217;s Butoh work Forbidden Laughter shows that laughter isn&#8217;t always funny, says Philipa Rothfield<br />
Butoh Out’s 2019 performance season, Forbidden Laughter, draws together 20-odd performers. They’re a h [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/05/yumi.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5623</link>
				<pubDate>Wed, 10 Apr 2019 23:41:58 +1000</pubDate>

									<content:encoded><![CDATA[<p>Teen critic Gully Thompson is disappointed by the stage adaptation of David Walliams&#8217; Billionaire Boy<br />
As a child, (which wasn’t that long ago) I was one of the many fans of David Walliams’s books. The books are [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/04/Beth-Daly-Felix-Jozeps-Shameer-Birges-in-Billionaire-Boy_2018-Australian-Cast_Photo-Credit_Heidrun-Lohr.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5595</link>
				<pubDate>Tue, 09 Apr 2019 23:06:35 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;Disabled artists should be a priority for this industry. Many artists are already there creating work. They don’t need mentorships! They need money.&#8217; Jessica Walton on the power of disability-led art<br />
If you w [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/04/THE-NATURE-OF-WHY-BOV-PB-3.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5518</link>
				<pubDate>Sun, 24 Mar 2019 20:51:57 +1100</pubDate>

									<content:encoded><![CDATA[<p>Monumental and mythic: Philipa Rothfield on Jill Orr&#8217;s Dark Night<br />
Dark Night, like much of Jill Orr’s work, has an epic, visual sensibility. A woman stands astride a wooden ship, perched on a hill of wooden c [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/03/20190317-GL-Dark_Night-0366.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5474</link>
				<pubDate>Wed, 20 Mar 2019 23:20:57 +1100</pubDate>

									<content:encoded><![CDATA[<p>Creating worlds: Philipa Rothfield on Lilian Steiner&#8217;s Memoir for Rivers and the Dictator and Rachel Arianne Ogle&#8217;s i have loved the Stars too Fondly to be Fearful of the Night<br />
At first glance, these two works [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/03/Untitled-3.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5299</link>
				<pubDate>Tue, 12 Mar 2019 02:35:06 +1100</pubDate>

									<content:encoded><![CDATA[<p>Come and see some dance with Witness!<br />
Dance Massive hits Melbourne stages this week, and as part of our special Dance Massive Critical Focus we&#8217;re offering not one, not two, but three Witness Salons for our [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/03/HERO3HERO-AH-S1-2019-The-Perception-Experiment-by-Madeleine-Krenek-and-Frankie-Snowdon-Image-by-Pippa-Samaya-High-Res-1160x650.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5204</link>
				<pubDate>Sun, 03 Mar 2019 23:28:18 +1100</pubDate>

									<content:encoded><![CDATA[<p>Kirsten Krauth speaks to directors Glyn Roberts, Lindy Hume and Glenn Wright about their upcoming regional arts festivals<br />
When you think of arts festivals, the first that spring to mind are the major city [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/03/Lisa-Rehana_web-optimised.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5079</link>
				<pubDate>Tue, 05 Feb 2019 21:01:57 +1100</pubDate>

									<content:encoded><![CDATA[<p>What are Relaxed Performances? Who are they for? And why do they matter? Tom Middleditch from A_tistic Theatre gives us the lowdown<br />
First, some history, without any facts<br />
It’s hard to imagine anything i [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/02/Pinocchio-Restrung5-Jules-Kaddatz.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=5087</link>
				<pubDate>Tue, 05 Feb 2019 20:40:48 +1100</pubDate>

									<content:encoded><![CDATA[<p>Announcing the 2019 First Nations Emerging Critic: choreographer, dancer and artistic powerhouse Jacob Boehme<br />
We&#8217;re thrilled to announce that Jacob Boehme will be the second Witness First Nations Emerging Critic, [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/02/Jacob.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4968</link>
				<pubDate>Wed, 16 Jan 2019 02:22:01 +1100</pubDate>

									<content:encoded><![CDATA[<p>We made it this far. AWESOME! But Witness needs your help or we&#8217;ll have to close in June&#8230;<br />
Happy New Year to all our readers! Over the summer theatre break we&#8217;ve been busy under the hood, tinkering with the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2019/01/cute_begging_kitten_20156.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4676</link>
				<pubDate>Sun, 09 Dec 2018 23:54:46 +1100</pubDate>

									<content:encoded><![CDATA[<p>Teen critic Gully Thompson takes a look at Arts Centre Melbourne&#8217;s Stories in the Wall, an ongoing project that harnesses the creative imagination of primary school children<br />
I have more than once found myself [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/12/IMG_3786.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4668</link>
				<pubDate>Thu, 06 Dec 2018 23:23:51 +1100</pubDate>

									<content:encoded><![CDATA[<p>Applications are now open for the 2019 Witness First Nations Emerging Critic<br />
Witness, founded earlier this year by Alison Croggon and Robert Reid, is a curated website that fosters critical discussion of the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2017/11/x23122-writingandscholarship-1200-1170x878.png" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4427</link>
				<pubDate>Mon, 15 Oct 2018 21:22:48 +1100</pubDate>

									<content:encoded><![CDATA[<p>Vox Motus&#8217; Flight is a powerful artwork about child asylum seekers that drives home global realities, says young critic Gully Thompson<br />
Dioramas, still figures displayed motionlessly in a scene, might seem to be [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/10/Flight_CR_Mihaila-Bodlovic_05_PUB.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4418</link>
				<pubDate>Sun, 14 Oct 2018 21:12:46 +1100</pubDate>

									<content:encoded><![CDATA[<p>Twin Peaks, Lady Gaga, the Wizard of Oz and Santa Claus: UK critic Megan Vaughan reviews Adena Jacobs and Marg Horwell’s trashy interpretation of Salome at the English National Opera in London<br />
It is an o [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/10/ENO-Salome-dancers-and-Allison-Cooke-c-Catherine-Ashmore-2.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4284</link>
				<pubDate>Wed, 03 Oct 2018 21:11:11 +1000</pubDate>

									<content:encoded><![CDATA[<p>This month, we&#8217;re heading West<br />
November&#8217;s Live Night, courtesy of our Stage Partner The Substation, is a chance to delve into the culture of western Melbourne, with a remount by Donna Jackson of Vicky Reynolds&#8217; [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/10/The-Bridge-Project-Image-1.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4132</link>
				<pubDate>Thu, 27 Sep 2018 04:22:52 +1000</pubDate>

									<content:encoded><![CDATA[<p>The rights of women to bodily autonomy are non-negotiable. So are the rights of people with disabilities. Danica Kohn on Melbourne Fringe show 19 Weeks<br />
Content warning: This may be difficult for people with Down [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/2-276409-Main-600x450-7-1170x878.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4139</link>
				<pubDate>Thu, 27 Sep 2018 02:32:01 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;As good a production of this play as you could want to see&#8217;: Ben Brooker on the revival of Stephen Sewell&#8217;s Welcome the Bright World at the STCSA<br />
As a rule, left-wing Australian playwrights don’t take up ideas b [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/Welcome-the-Bright-World-credit-Kate-Pardey-420.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=4073</link>
				<pubDate>Sat, 22 Sep 2018 23:39:41 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;One of the biggest problems we have is that artistic decision-making isn&#8217;t in the hands of children&#8217;</p>
<p>Art for young people is often marginalised, dismissed or even demonised in the wider culture. In this [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/Melbourne-Fringe-2018-XS-Kids-in-Fashion.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3978</link>
				<pubDate>Sun, 09 Sep 2018 01:30:17 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;A tremendous achievement&#8221;: Keith Gow reviews The Harp in the South, Kate Mulvany&#8217;s epic adaptation of Ruth Park’s beloved trilogy of novels<br />
ENY: It’s part of being Irish, Maggie. Lost love is a bleak real [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/6b242fbf972e8144372c35d9f6ab82e3.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3903</link>
				<pubDate>Tue, 04 Sep 2018 23:20:35 +1000</pubDate>

									<content:encoded><![CDATA[<p>Why do we pander to mediocrity and bad behaviour from male comics? Aboriginal comedy writer Angelina Hurley reflects on her disappointments<br />
In 2018, the dominance of male mediocrity in stand-up comedy makes me [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/noah-1170x878.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3965</link>
				<pubDate>Tue, 04 Sep 2018 22:55:36 +1000</pubDate>

									<content:encoded><![CDATA[<p>Kate Champion&#8217;s revival of That Eye, The Sky reveals a promising physical approach to theatrical writing, says Jane Howard. But she needs a stronger text<br />
We don’t see much of the Flack family’s lives before cat [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/Bill-Allert-Sam-and-Elena-Carapetis-Alice.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3911</link>
				<pubDate>Mon, 03 Sep 2018 22:07:25 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;The distortions of Forsythe&#8217;s choreography express something of contemporary fracture, the contemporary trauma of meaning&#8217;<br />
We&#8217;re thrilled to bring you a very special Live Night, in tandem with our Stage Partner, [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/09/A-QUIET-EVENING-OF-DANCE_Duo_CR_Bill-Cooper_01_PUB.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3830</link>
				<pubDate>Mon, 13 Aug 2018 02:24:04 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;The wedding dress was a character in its own right&#8221;<br />
This month Sayraphim Lothian brought along her iPhone and asked some our of Witness Live Nighters to record their thoughts on Melancholia for posterity. With [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/07/Eryn-Jean-Norvill_photoPiaJohnson_003-.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3735</link>
				<pubDate>Tue, 31 Jul 2018 21:30:00 +1000</pubDate>

									<content:encoded><![CDATA[<p>“Sometimes there are things you can’t forget about, even when you try.”<br />
September&#8217;s Live Night comes courtesy of our Stage Partners La Mama Theatre and Melbourne Fringe: Emily Sheehan&#8217;s acclaimed new play Hell&#8217;s [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/07/HellsCanyon_landscape_ConorLeach-IsabelleFord_PhotographybyEllenStanistreet-1.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3661</link>
				<pubDate>Thu, 12 Jul 2018 02:11:21 +1000</pubDate>

									<content:encoded><![CDATA[<p>Bookings are now open for the August Live Night, Samara Hersch&#8217;s Dybbuks. This Chamber Made production looks fascinating: here Hersch and her collaborators explore the many ways that the dead inhabit female [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/07/CM_Dybbuks-1-Web-Res_Aviva-Endean_Image-Pier-Carthew-1-1700x934.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3577</link>
				<pubDate>Thu, 21 Jun 2018 03:12:46 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;What will we do while we are still free to do it?&#8221; Cassie Tongue on Daniel Schlusser&#8217;s remarkable adaptation of Christa Wolf&#8217;s novel They Divided the Sky<br />
When Christa Wolf wrote her novel Der geteilte Himmel [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/06/They-Divided-The-Sky-1410.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3571</link>
				<pubDate>Wed, 20 Jun 2018 03:56:45 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;Does the picture in your head ever go away?&#8221; Monique Grbec reviews Jada Albert&#8217;s Brothers Wreck, a devastating play about Indigenous suicide<br />
Translucent concrete-blue plastic tarpaulins are stretched across the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/06/Brothers-Wreck_Trevor-Jamieson-Dion-Williams_c-Tim-Grey-192.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3391</link>
				<pubDate>Thu, 31 May 2018 20:19:19 +1000</pubDate>

									<content:encoded><![CDATA[<p>We don&#8217;t want to be constantly shaking our metaphorical cans in your face, so after March we stepped back from our first month&#8217;s membership drive and concentrated on getting things done. But it&#8217;s time for another [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/06/witness.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3432</link>
				<pubDate>Thu, 31 May 2018 19:19:59 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8216;You can write what you know without writing the literal occurrences of your own personal life.&#8217; Playwright Jean Tong is over her work being read as autobiographical.</p>
<p>The irony of beginning an essay that [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/05/MTC-HUNGRY-GHOSTS-photo-Jeff-Busby_1075.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3420</link>
				<pubDate>Thu, 31 May 2018 19:00:03 +1000</pubDate>

									<content:encoded><![CDATA[<p>When representation isn&#8217;t enough: Tom Middleditch looks at the knotty question of diversity in creative teams<br />
When the first edition of The Curious Incident of the Dog in the Night-Time was published in 2003, the [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/05/Joshua-Jenkins-Christopher-in-The-Curious-Incident-of-the-Dog-in-the-Night-Time-850x455.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3466</link>
				<pubDate>Thu, 31 May 2018 15:33:16 +1000</pubDate>

									<content:encoded><![CDATA[<p>Phew, 2018 is whizzing by at light speed. It&#8217;s already time to talk about our July Live Night. With the generous support of our Stage Partner Malthouse Theatre, we&#8217;re seeing Melancholia at 6.30pm on July [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/05/1504226031072.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3175</link>
				<pubDate>Mon, 30 Apr 2018 23:32:04 +1000</pubDate>

									<content:encoded><![CDATA[<p>Our June Live Night is from our Stage Partner Red Stitch Actors Theatre &#8211; the Melbourne premiere of Joanna Murray-Smith&#8217;s Fury, directed by Brett Cousins and Ella Caldwell.</p>
<p>Well, it&#8217;s actually more of a Live A [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/RS2018_1100x_Launch_Insta_171122_FURY_017-web-resize.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3108</link>
				<pubDate>Sat, 14 Apr 2018 02:19:42 +1000</pubDate>

									<content:encoded><![CDATA[<p>Cassie Tongue on Adena Jacobs&#8217; The Howling Girls at the Sydney Chamber Opera</p>
<p>It takes a lot to speak. The act requires the use of about half of your brain. It calls on a complex series of muscles and memory to [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/9592120-3x2-940x627.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=3058</link>
				<pubDate>Tue, 03 Apr 2018 22:57:17 +1000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;Girls, I think your father&#8217;s dead. I knocked his knees out. I conked his head. I shot that house clown in the neck.&#8221;</p>
<p>Here at Witness HQ we&#8217;re very excited about our May Live Night. With the help of our [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/04/180302_1500x850_The_Bleeding_Tree.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=2917</link>
				<pubDate>Fri, 23 Mar 2018 07:17:44 +1100</pubDate>

									<content:encoded><![CDATA[<p>Jane Howard on Akram Khan&#8217;s new work Xenos, which played at the Adelaide Festival at the beginning of a world tour<br />
Akram Khan – in reportedly his last full-length production as a performer – is an ast [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/AF18_Xenos_credit_Tony_Lewis_14.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=2602</link>
				<pubDate>Fri, 02 Mar 2018 20:00:47 +1100</pubDate>

									<content:encoded><![CDATA[<p>Fanfare! As we threatened, we have put together an exciting program of Melbourne Live Nights with our Stage Partners, in which you come to the theatre with us and tell us what you thought. This is Book Club for [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/small.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=2648</link>
				<pubDate>Fri, 02 Mar 2018 20:00:36 +1100</pubDate>

									<content:encoded><![CDATA[<p>Our inaugural First Nations Emerging Critic is the multi-talented and super-deadly Carissa Lee: poet, actor,  critic and Instagram queen.</p>
<p>Carissa Lee is a Wemba Wemba actor and writer based in Melbourne. A [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/DSC_3384-e1519881801297.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=2636</link>
				<pubDate>Fri, 02 Mar 2018 20:00:13 +1100</pubDate>

									<content:encoded><![CDATA[<p>For our April Live Night, we&#8217;re thrilled to invite you to come with Witness to see Jodee Mundy&#8217;s Personal on April 26 at Arts House.</p>
<p>Personal, a blend of performance, storytelling, multimedia and animation t [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/03/AHS1-–-Personal-by-Jodee-Mundy-–-Jodee-Mundy-–-Theresa-Harrison–-high-res-2-1.jpg" /></p>
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				<title>Witness Performance wrote a new post</title>
				<link>https://witnessperformance.com/?p=2520</link>
				<pubDate>Fri, 16 Feb 2018 20:42:11 +1100</pubDate>

									<content:encoded><![CDATA[<p>We&#8217;re almost there. And we think we deserve a celebration. </p>
<p>On March 3 when our first issue goes live, we&#8217;ll be gathering in the courtyard at La Mama Theatre to launch ourselves onto the information [&hellip;] <img loading="lazy" src="https://witnessperformance.com/wp-content/uploads/2018/02/drink.jpg" /></p>
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				<title>Witness Performance&#039;s profile was updated</title>
				<link>https://witnessperformance.com/activity/p/23/</link>
				<pubDate>Sat, 20 Jan 2018 21:03:55 +1100</pubDate>

				
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				<title>Witness Performance changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/22/</link>
				<pubDate>Sat, 20 Jan 2018 09:13:07 +1100</pubDate>

				
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				<title>Witness Performance changed their profile picture</title>
				<link>https://witnessperformance.com/activity/p/21/</link>
				<pubDate>Sat, 20 Jan 2018 09:07:19 +1100</pubDate>

				
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