The Picture of Dorian Gray is spectacular, yet somehow never succumbs to the seductions of …
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In the third Witness essay for BLEED 2020, Alison Croggon explores the ongoing evolution of …
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‘It’s almost like theatre’: Alison Croggon reviews Malthouse Theatre’s The Lockdown Monologues and Uninvited Guests’ …
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Alison Croggon thinks it’s time we faced up to the fact that everything is going …
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Caroline Guiela Nguyen’s Saigon is remarkably beautiful theatre that reminds us what a main stage …
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‘MÁM is a celebration of ordinary moments, which are as mysterious and ambiguous as the …
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‘Difficult truths wrought into profound, unsettling harmonies’: Alison Croggon explores the sorrow and light in …
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‘It’s interesting how lines that once simply slipped by register with spikes now’: Alison Croggon …
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‘I couldn’t imagine why anyone would take this absurd set-up as anything but the occasion …
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Kate Hunter’s theatre poem Earshot – remounted last week for the Due West Arts Festival …