Caitlin Beresford Ord embodies a forgotten Australian vaudeville star in Black Swan’s The Perfect Boy. Robert Reid checks it out
Music theatre
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‘An auditory feast’: New Music icon Margaret Leng Tan’s biographical work rocks 14 year old Gully Thompson’s musical world
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Is it enough to re-create a myth? Robert Reid on Marlene Dietrich Perfect Illusion at the Butterfly Club
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Back in a sparkling new production for its 30th anniversary, the classic Aboriginal road musical Bran Nue Day reveals a bleeding heart beneath its smile, says Monique Grbec
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Monique Grbec on Buŋgul, a breathtaking opening to the Perth Festival’s all-Indigenous first week
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Mama Alto’s Torch Songs at the Melbourne Recital Centre shows why she’s one of Australia’s most essential voices, says Ben Keene
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A celebration of love and life, Come from Away is a winning musical about a small town’s community spirit in the wake of the 9/11 terror attacks, says Monique Grbec
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Modern Māori Quartet: Two Worlds is a delightful and profoundly moving opening to Big World, Up Close, says Alison Croggon
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The exhilarating Victorian College of the Arts production of Fucking A was a rare chance to see one of the US’s most significant playwrights, says Alison Croggon
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‘Something crucial is missing’: Robert Reid is uninspired by Opera Australia’s West Side Story