January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe
Features
-
‘Left with Netflix, I realise that art may indeed be as crucial as food and shelter’: Jana Perković on watching European performance through the pandemic
-
Witness critics preview this year’s Melbourne Fringe program, here despite everything
-
Carissa Lee investigates a research project that aims to redress the historical neglect of work by women and non-binary theatre makers
-
The Rob Guest Endowment debacle is a missed opportunity for change, says Sonya Suares
-
The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, says Robert Reid
-
Under the Melbourne lockdown, Kimberley Twiner and her housemates have discovered a new audience – their neighbours
-
Hong Kong pro-democracy activist Annika Yan recalls how a co-production of The Winter’s Tale with Melbourne students earlier this year foreshadowed the repression that was to come
-
The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we musn’t blow it
-
In the third Witness essay for BLEED 2020, Alison Croggon explores the ongoing evolution of virtual worlds