January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe
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‘Left with Netflix, I realise that art may indeed be as crucial as food and shelter’: Jana Perković on watching European performance through the pandemic
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Witness critics preview this year’s Melbourne Fringe program, here despite everything
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Carissa Lee investigates a research project that aims to redress the historical neglect of work by women and non-binary theatre makers
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The Rob Guest Endowment debacle is a missed opportunity for change, says Sonya Suares
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The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, says Robert Reid
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Under the Melbourne lockdown, Kimberley Twiner and her housemates have discovered a new audience – their neighbours
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Hong Kong pro-democracy activist Annika Yan recalls how a co-production of The Winter’s Tale with Melbourne students earlier this year foreshadowed the repression that was to come
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The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we musn’t blow it
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In the third Witness essay for BLEED 2020, Alison Croggon explores the ongoing evolution of virtual worlds