The Rob Guest Endowment debacle is a missed opportunity for change, says Sonya Suares
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The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, says Robert Reid
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Under the Melbourne lockdown, Kimberley Twiner and her housemates have discovered a new audience – their neighbours
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Hong Kong pro-democracy activist Annika Yan recalls how a co-production of The Winter’s Tale with Melbourne students earlier this year foreshadowed the repression that was to come
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The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we musn’t blow it
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In the third Witness essay for BLEED 2020, Alison Croggon explores the ongoing evolution of virtual worlds
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In the second Witness essay on digital life for BLEED 2020, highly-online writer Asher Wolf contemplates her online and corporeal lives in an isolated forest during COVID-19
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Disabled actor and theatre maker Kate Hood, blind writer and critic Olivia Muscat and able-bodied writer Emilie Collyer have a wide-ranging conversation about disability, opportunity and the arts sector
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Maybe traditional performing arts could learn a lot from YouTube vloggers and online games. For the launch of BLEED 2020, Robert Reid investigates live digital performance
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‘A slow, conscious rebuild’: If we’re going to come back after COVID-19, says Isabella Vadiveloo, we should take the time to do it right