‘An auditory feast’: New Music icon Margaret Leng Tan’s biographical work rocks 14 year old Gully Thompson’s musical world
New on Witness
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What is left when live performance is over? Emilie Collyer traces the lingering effects of sitting in the dark
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The operatic adaptation of Lars von Triers’ film Breaking the Waves succeeds in ways the film fails, says Ben Brooker
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Ash Flanders’ one-man show End Of starts off like a stand-up comedy before dropping us into a deep well of elegiac reflection, says Jinghua Qian
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What is left when live performance is over? Emilie Collyer traces the lingering effects of sitting in the dark
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Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts
by Bryan Andy -
Independent theatre faces huge challenges, but artists are fighting back. Ben Brooker looks at RUMPUS, a co-operative venture in Adelaide about to enter its second year
by Ben Brooker -
These days, says comic Angelina Hurley, there’s no excuse not to understand Aboriginal and Torres Strait Islander cultures. And what better way to get to know them than through humour?
‘An auditory feast’: New Music icon Margaret Leng Tan’s biographical work rocks 14 year old Gully Thompson’s musical world
‘MÁM is a celebration of ordinary moments, which are as mysterious and ambiguous as the supernatural spirits that haunt and weave through them’: Alison Croggon on Teaċ Damsa’s exhilarating dance theatre
Podcast: The Witness Interview with Candy Bowers. ‘You are asking someone from the field into the house, and we are going to fight. Because I will always fight to decentralise the white patriarchy’
by Ben Keene
The Witness Interview: In this month’s podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia’s most important and intriguing theatre makers
by Ben Keene
In this month’s Video History, join Witness historian Robert Reid on a walking tour of Melbourne’s lost theatres
by Robert Reid