Ben Keene talks to Stephen Armstrong and Dan Koerner from Asia TOPA about the exciting digital innovations forced on the festival by last year’s pandemic crisis.
New on Witness
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Ben Keene talks to theatre maker Daniel Schlusser – a performer, director, dramaturg and thinker who over the past decade has made some of Australia’s most groundbreaking theatre
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Robert Reid attends The Wilds on the opening night of Rising, and finds that it’s a mixed experience
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The feminist scifi Mara Korper is challenging, enjoyable and possibly the smartest theatre you’ll see this year, says Robert Reid
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Maryann Sam’s comedy of cultural errors leaves you wanting more, says Monique Grbec
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This deep-listening show summons connection with the seven seasons of Country, says Monique Grbec
An irresistible musical with a dark heart, Fangirls summons the chaos of adolescence, says Robert Reid
by Robert Reid
Branch Nebula’s High Performance Packing Tape pushes cheap material – and Robert Reid’s patience – to the limits
by Robert Reid
January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe
by Carissa Lee
‘Left with Netflix, I realise that art may indeed be as crucial as food and shelter’: Jana Perković on watching European performance through the pandemic
Robert Reid continues his exploration of the hidden corners of Australian playwriting with a story of colonial Tasmania, Catherine Shepherd’s 1938 play Daybreak
by Robert Reid
Ben Keene talks to Stephen Armstrong and Dan Koerner from Asia TOPA about the exciting digital innovations forced on the festival by last year’s pandemic crisis.
by Ben Keene
Ben Keene talks to theatre maker Daniel Schlusser – a performer, director, dramaturg and thinker who over the past decade has made some of Australia’s most groundbreaking theatre
by Ben Keene
Robert Reid continues his exploration of the hidden corners of Australian playwriting with a story of colonial Tasmania, Catherine Shepherd’s 1938 play Daybreak
by Robert Reid