Alison Croggon wonders why Bliss is the story that needs to be told right now

Carissa Lee reflects on Bell Shakespeare’s recent intimate production of Antony and Cleopatra

Carissa Lee reviews UK artist Selina Thompson’s salt, a story of colonisation, racism and hope

“Writing is a kind of magic, and this spell is very particular.” Alison Croggon on Rosie Isaac’s Next Wave work, Intestine in my Eye.

In Next Wave’s Canine Choreography, Robert Reid discovers that untrained dogs are just…untrained dogs

There’s something disturbing about Right Now at Red Stitch, says Robert Reid. Something about how it portrays its central character.