Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts
New on Witness
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Redefining two worlds: Monique Grbec on Yirra Yaakin’s inclusive vision in Hecate, their Noongar adaptation of Macbeth
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Back in a sparkling new production for its 30th anniversary, the classic Aboriginal road musical Bran Nue Day reveals a bleeding heart beneath its smile, says Monique Grbec
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Independent theatre faces huge challenges, but artists are fighting back. Ben Brooker looks at RUMPUS, a co-operative venture in Adelaide about to enter its second year
Redefining two worlds: Monique Grbec on Yirra Yaakin’s inclusive vision in Hecate, their Noongar adaptation of Macbeth
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Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts
by Bryan Andy -
Independent theatre faces huge challenges, but artists are fighting back. Ben Brooker looks at RUMPUS, a co-operative venture in Adelaide about to enter its second year
by Ben Brooker -
These days, says comic Angelina Hurley, there’s no excuse not to understand Aboriginal and Torres Strait Islander cultures. And what better way to get to know them than through humour?
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Monique Grbec reports on Chamber Made’s Hi-Viz Practice Exchange, a day of connection for women and non-binary artists
Podcast: The Witness Interview with Candy Bowers. ‘You are asking someone from the field into the house, and we are going to fight. Because I will always fight to decentralise the white patriarchy’
by Ben Keene
The Witness Interview: In this month’s podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia’s most important and intriguing theatre makers
by Ben Keene
In this month’s Video History, join Witness historian Robert Reid on a walking tour of Melbourne’s lost theatres
by Robert Reid