Monique Grbec reports on Chamber Made’s Hi-Viz Practice Exchange, a day of connection for women and non-binary artists
New on Witness
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Thigh Gap at La Mama tracks how the demands of patriarchy turn us into monsters, says Robert Reid
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A Normal Child evokes the ‘awkwardness, contradiction and messy humanity’ of the question of representation, says Robert Reid
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The swiss.style program currently running at Dancehouse provides some of the most exciting dance seen recently in Melbourne. Andrew Fuhrmann reviews.
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Richard Frankland’s Conversations with the Dead is given a stirring new production by Ilbijerri Ensemble, says Monique Grbec
Youth critic Gully Thompson is both enraptured and frustrated by Unicorn Theatre’s The End of Eddy
Antony Hamilton’s Token Armies is ambitious and challenging, but it ultimately leaves Georgia Mill wanting more
by Georgia Mill
Ellen Grimshaw’s polyvocal Just Us Girls – What’s a Girl? reminds Robert Reid of Samuel Beckett. And Blondie
by Robert Reid
‘Everything about The Bloom Shed reminds me of the “good” old days of the Indy Theatre Boom of the 2000s’: Robert Reid on The Market is a Wind-up Toy
by Robert Reid
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Monique Grbec reports on Chamber Made’s Hi-Viz Practice Exchange, a day of connection for women and non-binary artists
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The devastating funding cuts of the mid-90s are being repeated, destroying the painstaking repairs of the past two decades. Robert Reid on this particular circle of arts hell
by Robert Reid -
How do we make systemic change in an often resistant industry? Jessica Walton reflects on an empowering symposium on disability and the arts
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From its initial season as a fringe play, Fleabag has grown to a global phenomenon. Kirsten Krauth talks to Sian Clifford about playing sisters with Phoebe Waller-Bridge
Podcast: The Witness Interview with Candy Bowers. ‘You are asking someone from the field into the house, and we are going to fight. Because I will always fight to decentralise the white patriarchy’
by Ben Keene
The Witness Interview: In this month’s podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia’s most important and intriguing theatre makers
by Ben Keene
In this month’s Video History, join Witness historian Robert Reid on a walking tour of Melbourne’s lost theatres
by Robert Reid