‘If everything is meaningful, then nothing is’: Robert Reid on Iain Sinclair’s hallucinatory production of A View from the Bridge at the Melbourne Theatre Company
New on Witness
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World Problems opens up the political consequences of how we view our personal worlds, says Carissa Lee
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An apocalypse that ends with a whimper: Ben Brooker on Hofesh Shechter’s Grand Finale
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‘Anything but tame’: Ben Brooker on Traverse Theatre’s Ulster American
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‘We should be thinking, not about how these processes inhibit our expression, but how they might liberate it’: actor Dan Spielman explores the implications of #MeToo for the performing arts
by Dan Spielman -
‘You want to be a critic who thinks with all of her body’: Alison Croggon on the process of reviewing, extracted from her new collection of criticism, Remembered Presences
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Kirsten Krauth speaks to directors Glyn Roberts, Lindy Hume and Glenn Wright about their upcoming regional arts festivals: the Newcastle State Festival, 10 Days on the Island and the Bendigo Autumn Music festival.
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What are Relaxed Performances? Who are they for? And why do they matter? Tom Middleditch, artistic director of A-tistic, gives us the lowdown
Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid
by Robert Reid
An apocalypse that ends with a whimper: Ben Brooker on Hofesh Shechter’s Grand Finale
by Ben Brooker
‘Anything but tame’: Ben Brooker on Traverse Theatre’s Ulster American
by Ben Brooker
‘When I think about art, I think: what raises the hair on your arms’ In Part 1 of this super fabulous and candid Witness Interview, Ben Keene talks to performance artist Moira Finucane on the development of her unique queer performance art
by Ben Keene
The Witness Interview: Moira Finucane, ‘the patron saint of magpies’, digs into her creative practice in Part 2 of her interview with Ben Keene
by Ben Keene
In this month’s Video History, join Witness historian Robert Reid on a walking tour of Melbourne’s lost theatres
by Robert Reid