Inspired by Georges Rouault’s paintings, Seeing Through Darkness reimagines the disabled body, says Jess Martin
Dance
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A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says that it’s a model of accessible dance
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Can we really describe dance? Olivia Muscat reviews Blindly Following Matisse, a work created from audio description for the Tempo Dance Festival
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‘A glimpse of something hidden and unknown’: Andrew Fuhrmann on Mette Edvardsen and Matteo Fargion’s Penelope Sleeps at Dancehouse
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Takao Kawaguchi’s dance work Good Luck is quietly beguiling, says Andrew Fuhrmann
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Robert Reid encounters an exuberant masculinity in Between Tiny Cities
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‘MÁM is a celebration of ordinary moments, which are as mysterious and ambiguous as the supernatural spirits that haunt and weave through them’: Alison Croggon on Teaċ Damsa’s exhilarating dance theatre
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Metal – an exciting collaboration between Lucy Guerin Inc and heavy metal choir Ensemble Tikoro – is a quest for harmony through incongruity, says Cher Tan
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‘Difficult truths wrought into profound, unsettling harmonies’: Alison Croggon explores the sorrow and light in Kamila Andini’s remarkable dance theatre work The Seen and Unseen at AsiaTOPA
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Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts