Dance

Isabella Whawai Waru’s Where We Stand raises urgent questions about the structures that inform Indigenous artmaking, says Jacob Boehme

The swiss.style program currently running at Dancehouse provides some of the most exciting dance seen recently in Melbourne. Andrew Fuhrmann reviews.

Antony Hamilton’s Token Armies is ambitious and challenging, but it ultimately leaves Georgia Mill wanting more

‘It feels as urgent as his work ever has, but the complexities have deepened profoundly. Unmissable.” Alison Croggon on Hofesh Schechter’s Grand Finale at the Melbourne Festival

Alison Croggon on Branch Nebula’s High Performance Packing Tape and Yang Liping’s Rite of Spring in the opening week of the Melbourne Festival

With its regimented, mechnical movement, Sandra Parker’s Adherence recalls a science fiction dystopia, says Robert Reid

Australian Dance Theatre’s North/South is a powerful evocation of climate dystopia and human resilience, says Ben Brooker

Monique Grbec on Jacob Boehme’s brave, funny and beautiful multidisciplinary work, Blood on the Dance Floor

‘An excellent example of how critique can be embodied. How it can be physical and funny as well as scalpel sharp’: Robert Reid on Vicki Van Hout’s plenty serious TALK TALK

Canadian First Nations choreographer Lara Kramer draws a surreal picture of colonised life in Windigo, says Philipa Rothfield