Inspired by Georges Rouault’s paintings, Seeing Through Darkness reimagines the disabled body, says Jess Martin
Dance
-
-
A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says that it’s a model of accessible dance
-
Can we really describe dance? Olivia Muscat reviews Blindly Following Matisse, a work created from audio description for the Tempo Dance Festival
-
‘A glimpse of something hidden and unknown’: Andrew Fuhrmann on Mette Edvardsen and Matteo Fargion’s Penelope Sleeps at Dancehouse
-
Takao Kawaguchi’s dance work Good Luck is quietly beguiling, says Andrew Fuhrmann
-
Robert Reid encounters an exuberant masculinity in Between Tiny Cities
-
‘MÁM is a celebration of ordinary moments, which are as mysterious and ambiguous as the supernatural spirits that haunt and weave through them’: Alison Croggon on Teaċ Damsa’s exhilarating dance theatre
-
-
‘Difficult truths wrought into profound, unsettling harmonies’: Alison Croggon explores the sorrow and light in Kamila Andini’s remarkable dance theatre work The Seen and Unseen at AsiaTOPA
-
Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts