Dance

Alison Croggon reviews emerging choreographers Lauren Langlois and Joel Bray in Chunky Move’s Next Move 11

‘Perhaps we, like Rianto, await our own metamorphoses’: Ben Brooker on Rianto’s Medium at Liveworks Festival of Experimental Art in Sydney

‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet Evening of Dance

‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One Infinity at the Malthouse

The music of Mark Morris’ Layla and Majnun is unmissable, says Alison Croggon. But she’s not so sure about the dance

‘There is vulnerability in dancing, but joy too: and joy overtakes us’: New Review critic Sumudu Samarawickrama on SPIN at Melbourne Fringe

‘If there is space made for my story, I can make space for yours.’ Emilie Collyer reflects on the radical generosity of Melbourne Fringe’s 24 Hour Dance Project

Dance Plant Collective’s MEAT raises complex ethical questions, says New Review critic Georgia Mill

Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, says First Nations Emerging Critic Carissa Lee

Powerful, inventive and beautiful, Alison Croggon says that Stephanie Lake’s Colossus is her most exciting work yet