The swiss.style program currently running at Dancehouse provides some of the most exciting dance seen recently in Melbourne. Andrew Fuhrmann reviews.
Dance
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Antony Hamilton’s Token Armies is ambitious and challenging, but it ultimately leaves Georgia Mill wanting more
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‘It feels as urgent as his work ever has, but the complexities have deepened profoundly. Unmissable.” Alison Croggon on Hofesh Schechter’s Grand Finale at the Melbourne Festival
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Alison Croggon on Branch Nebula’s High Performance Packing Tape and Yang Liping’s Rite of Spring in the opening week of the Melbourne Festival
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With its regimented, mechnical movement, Sandra Parker’s Adherence recalls a science fiction dystopia, says Robert Reid
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Australian Dance Theatre’s North/South is a powerful evocation of climate dystopia and human resilience, says Ben Brooker
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Monique Grbec on Jacob Boehme’s brave, funny and beautiful multidisciplinary work, Blood on the Dance Floor
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‘An excellent example of how critique can be embodied. How it can be physical and funny as well as scalpel sharp’: Robert Reid on Vicki Van Hout’s plenty serious TALK TALK
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Canadian First Nations choreographer Lara Kramer draws a surreal picture of colonised life in Windigo, says Philipa Rothfield
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Alison Croggon on the anguished eroticism of Daddy, Joel Bray’s latest powerful work on the cultural theft of colonialism