Dance

‘An excellent example of how critique can be embodied. How it can be physical and funny as well as scalpel sharp’: Robert Reid on Vicki Van Hout’s plenty serious TALK TALK

Canadian First Nations choreographer Lara Kramer draws a surreal picture of colonised life in Windigo, says Philipa Rothfield

Alison Croggon on the anguished eroticism of Daddy, Joel Bray’s latest powerful work on the cultural theft of colonialism 

Yumi Umiumare’s Butoh work Forbidden Laughter shows that laughter isn’t always funny, says Philipa Rothfield

‘The dances communicate an understated sensuality and tenderness’: Andrew Fuhrmann on Russell Dumas’ retrospective show, Cultural Residues 2020

Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid

‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example

Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake

‘We need more artists like Kelly to ask these complicated questions’: First Nations Emerging Critic Jacob Boehme on Karul Projects’ CO_EX-EN

Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night