‘Weird shit par excellence’: Harriet Cunningham on Rắn Cạp Đuôi’s performance Re:Sounding
Experimental performance
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Carissa Lee attends the first session of Assembly for the Future for BLEED 2020 and leaves with a sense of hope
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Olivia Muscat is transported by Hannah Brontë’s audio-visual work mi$$ Eupnea at BLEED 2020
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Monique Grbec investigates The Ministry of Mundane Mysteries, an immersive audio work from Canada that crafts a new story for every participant
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‘It’s almost like theatre’: Alison Croggon reviews Malthouse Theatre’s The Lockdown Monologues and Uninvited Guests’ Love Letters Straight from the Heart
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Tiny Bricks’ All One demonstrates that live-streaming theatre is a whole new ballgame, says Ben Brooker
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Are we capable of imagining a world without inequality? Jess Flint on Daz Chandler’s The Parallel Effect for Next Wave’s Assemble
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Indigenous critics Monique Grbec and Carissa Lee discuss Isabella Whāwhai Waru’s audio performance, Rest
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‘An auditory feast’: New Music icon Margaret Leng Tan’s biographical work rocks 14 year old Gully Thompson’s musical world
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An intimate remembrance, Aleppo: A Portrait of Absence centres the human cost of war, says Ben Brooker