Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid
Experimental performance
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Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake
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Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night
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Exploring the similarities and differences between percussion and dance: Alison Croggon on Recital
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Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of colonisation
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World Problems opens up the political consequences of how we view our personal worlds, says Carissa Lee
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Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann
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‘A beautiful opening of the self’: Alison Croggon on Public Actions from Luke George and Collaborators
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Funny, painfully honest and unclassifiable: Alison Croggon reviews Brian Lipson and Gideon Obarzanek’s Two Jews walk into a Theatre
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‘The murder…seems a conveniently dramatic real event that can spectacularly demonstrate the capacities of theatre’: Alison Croggon reviews Milo Rau’s La Reprise