Robert Reid attends The Wilds on the opening night of Rising, and finds that it’s a mixed experience
Experimental performance
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The feminist scifi Mara Korper is challenging, enjoyable and possibly the smartest theatre you’ll see this year, says Robert Reid
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This deep-listening show summons connection with the seven seasons of Country, says Monique Grbec
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Malthouse Theatre’s Because the Night is impressive in many ways, but it’s only a first step in realising what immersive theatre can be, says Robert Reid
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Branch Nebula’s High Performance Packing Tape pushes cheap material – and Robert Reid’s patience – to the limits
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A dynamic look at the work of 10 emerging artists, Let’s Take Over 2021 at Darebin Arts leaves an enlivening sense of possibility, says Monique Grbec
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An experiment that doesn’t quite deliver, We’re Probably Really Really Happy Right Now at Theatre Works is nevertheless a deeply interesting work of queer performance, says Gully Thompson
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Emilie Collyer finds her way back to the magic of theatre through four Melbourne Fringe shows
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A new digital take on Wonderland, Alice² picks up how Lewis Carroll used popular games as narrative structures, says Monique Grbec
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The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid