‘Kwongkan squanders its moments of power by reaching for a simplistic idea of protest’: Alison Croggon on a Perth Festival work that attempts to take on the enormity of climate change
Experimental performance
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‘A triumph: remarkable, stunning, heart breaking’: Robert Reid on Silvia Calderoni’s extraordinary MDLSX
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Robert Reid barely survives a ‘howling maelstrom of transgressive audience behaviour’ in The Miss Behave Gameshow
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‘Being part of that audience was electrifying’: Alison Croggon on Mama Alto and Maude Davey’s Gender Euphoria
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‘The no-space, the no-time, the un-now, of waiting to die, is hauntingly sketched’: Robert Reid on Triage Live Art Collective’s The Infirmary
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Alison Croggon unloosed her inner child and ventured to German theatre maker Sybille Peters’ live art for children at Melbourne Fringe’s XS
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Robert Reid and Sayraphim Lothian attend an intriguing auditory experience for children, I Am Hear, without a child
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Never Ending Night, a post-apocalyptic immersive experience, leaves Robert Reid pondering his role as an audience member
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A compelling piece of immersive performance, Sleepover Gurlz leaves New Review critic Vanessa Giron questioning her life
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Melbourne Fringe XS show This is Grayson is an enchanting and disturbing ride through the night streets of Newport, says Alison Croggon. And definitely for older children.