How do white artists use refugees to make art? Return to Escape from Woomera prompts Robert Reid to ponder well-meaning political art in the Age of Morrison
Experimental performance
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‘The wit of the performances, both physical and verbal, is riveting’: Alison Croggon on The Temple at Malthouse Theatre
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A participatory play about climate change, Whale is desperately sad, says Robert Reid
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Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid
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Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake
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Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night
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Exploring the similarities and differences between percussion and dance: Alison Croggon on Recital
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Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of colonisation
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World Problems opens up the political consequences of how we view our personal worlds, says Carissa Lee
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Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann