Indigenous critics Monique Grbec and Carissa Lee discuss Isabella Whāwhai Waru’s audio performance, Rest
Experimental performance
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‘An auditory feast’: New Music icon Margaret Leng Tan’s biographical work rocks 14 year old Gully Thompson’s musical world
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An intimate remembrance, Aleppo: A Portrait of Absence centres the human cost of war, says Ben Brooker
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‘A glimpse of something hidden and unknown’: Andrew Fuhrmann on Mette Edvardsen and Matteo Fargion’s Penelope Sleeps at Dancehouse
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The Taiwanese-Australian collaboration Virtual Intimacy is a multi-dimensional work that asks a lot of its audience, says Jinghua Qian
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Takao Kawaguchi’s dance work Good Luck is quietly beguiling, says Andrew Fuhrmann
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NONOTAK’S Shiro is a hypnotic encounter with pure aesthetic, says Robert Reid
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The virtual reality experience Eight leaves
Robert Reid spellbound -
‘MÁM is a celebration of ordinary moments, which are as mysterious and ambiguous as the supernatural spirits that haunt and weave through them’: Alison Croggon on Teaċ Damsa’s exhilarating dance theatre
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‘I keep wanting to close my eyes and just listen to the music’: Mozart’s Requiem is magnificent. But Romeo Castelluci’s visuals leave Robert Reid cold