Emilie Collyer finds her way back to the magic of theatre through four Melbourne Fringe shows
Experimental performance
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A new digital take on Wonderland, Alice² picks up how Lewis Carroll used popular games as narrative structures, says Monique Grbec
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The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid
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The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world
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Holesp@ce, from multi-disciplinary collective STRANGEkit. is a surreal tour through our hyperconnected present, says Robert Reid
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Clockfire Theatre Company’s film adaptation of its physical theatre work we, the lost company sets a high bar, says Caitlin Doyle-Markwick
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Traversing multiple platforms, identities and artforms, comedy duo We Are Nemeses are, says Emilie Collyer, the flavour of the future
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‘Weird shit par excellence’: Harriet Cunningham on Rắn Cạp Đuôi’s performance Re:Sounding
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Carissa Lee attends the first session of Assembly for the Future for BLEED 2020 and leaves with a sense of hope