‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet Evening of Dance
-
-
‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One Infinity at the Malthouse
-
The music of Mark Morris’ Layla and Majnun is unmissable, says Alison Croggon. But she’s not so sure about the dance
-
‘Trauma, its aftershocks, its fragmentation, its strange, loud silence.’ Alison Croggon on Rawcus’ Song for a Weary Throat
-
In Particle/Wave, a collaboration between artists and scientists, Alison Croggon says that the confounding abstractions of physics are given a human dimension
-
‘A modestly radiant show that somehow illuminates the whole of existence’: Alison Croggon on Barry McGovern’s Watt
-
Despite a sumptuous production, Aidan Fennessy’s new play The Architect leaves Alison Croggon with some nagging questions
-
Alison Croggon unloosed her inner child and ventured to German theatre maker Sybille Peters’ live art for children at Melbourne Fringe’s XS
-
‘Who knows what seeds are now planted in those tiny, amazing brains?’ Alison Croggon on Only a Year, Sarah Austin’s show for babies
-
Powerful, inventive and beautiful, Alison Croggon says that Stephanie Lake’s Colossus is her most exciting work yet