Alison Croggon teases out some thoughts on Patricia Cornelius’ remarkable adaptation of The House of …
Alison Croggon
Alison Croggon
Alison Croggon is co-editor and co-founder of Witness. She is an award-winning novelist, poet, librettist and critic. She has 30 years experience reviewing performance for outlets such as the Australian, ABC Arts Online and The Monthly and generated an international reputation as a performance critic with her influential blog Theatre Notes, which revolutionised performance discourse in Australia. In 2009 she was the first online critic to win the prestigious Geraldine Pascall Critic of the Year Award. In 2019 her play My Dearworthy Darling will be performed by The Rabble at Malthouse Theatre.
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“Writing is a kind of magic, and this spell is very particular.” Alison Croggon on …
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Alison Croggon reviews the hotly anticipated Melbourne production of Angus Cerini’s The Bleeding Tree
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‘The performers are looking at us, assessing us. Turning back the dominant gaze, drilling into …
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Alison Croggon wonders why Bliss is the story that needs to be told right now
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For Next Wave, Alison Croggon walks through the anterooms of death in Seer by the …
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Choreographer Stephanie Lake goes from strength to strength. Alison Croggon reviews her newest work, Replica.
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Alison Croggon reviews Romeo is Not the Only Fruit and Fleabag at the Melbourne International Comedy …
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“As far as I can see, the idea seemed to be to take Leigh’s bleak …
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A detailed and powerful production from Lightning Jar which is well worth your time. Alison …