‘A glimpse of something hidden and unknown’: Andrew Fuhrmann on Mette Edvardsen and Matteo Fargion’s Penelope Sleeps at Dancehouse
Andrew Fuhrmann

Andrew Fuhrmann
Andrew Fuhrmann writes regularly on dance, theatre, music and literature. He teaches research methods and criticality at the Victorian College of the Arts and is a researcher at the University of Melbourne with a focus on digital collections and performing arts archives.
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Takao Kawaguchi’s dance work Good Luck is quietly beguiling, says Andrew Fuhrmann
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The swiss.style program currently running at Dancehouse provides some of the most exciting dance seen recently in Melbourne. Andrew Fuhrmann reviews.
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‘The dances communicate an understated sensuality and tenderness’: Andrew Fuhrmann on Russell Dumas’ retrospective show, Cultural Residues 2020
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Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake
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‘It sounds just like a hangover feels’: Atlanta Eke’s The Tennis Piece demands too much intellectual labour from its audience, says Andrew Fuhrmann
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Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann
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‘The space is contested but the dynamics of power are fluid’: Andrew Fuhrmann on Anouk van Dijk’s final Chunky Move work, Common Ground
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‘Meticulously planned and conscientiously put together, it suggests a feeling of completeness and sufficiency’: Andrew Fuhrmann on Siobhan McKenna’s Utterance
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‘An assault against the palaces of representation and a disruption of the mediated gaze’: Andrew Fuhrmann on Post Reality Vision
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