Andrew Fuhrmann

Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake

‘It sounds just like a hangover feels’: Atlanta Eke’s The Tennis Piece demands too much intellectual labour from its audience, says Andrew Fuhrmann

Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann

‘The space is contested but the dynamics of power are fluid’: Andrew Fuhrmann on Anouk van Dijk’s final Chunky Move work, Common Ground

‘Meticulously planned and conscientiously put together, it suggests a feeling of completeness and sufficiency’: Andrew Fuhrmann on Siobhan McKenna’s Utterance

‘An assault against the palaces of representation and a disruption of the mediated gaze’: Andrew Fuhrmann on Post Reality Vision

‘A swirling, restless piece, a busy but visually appealing spectacle that fills the eye’: Andrew Fuhrmann on Lucy Guerin’s Make Your Own World