On The Witness Podcast this month, Carissa Lee and Alison Croggon discuss the recent controversy around the VCA dance work Where We Stand, which caught the attention of right wing commentators and faced calls to be banned.
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This month, Robert Reid talks to actor, theatre maker and performer Yoni Prior about her work with Barrie Kosky’s first company, Gilgul.
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Since 2013, the absolute number of individual artists and organisations funded by the Australia Council has decreased by 73 per cent. Alison Croggon and Robert Reid take a look at how we got here.
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Robert Reid talks to Jane Woollard, playwright, director and historian, about the lost history of women in 19th century colonial Australian theatre.
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Is “political correctness” a thing? Can we be critically rigorous and also not bigoted? This month Team Witness dives into the minefield of political correctness and freedom of speech in the arts.
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In this must-listen episode of The Witness Interview, Gunditjmara man Richard Frankland speaks candidly to Carissa Lee about how art and activism unite in his acclaimed creative life.
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In times of increasing austerity, arts companies are becoming reluctant to take risks: so how do we address urgent systemic problems, such as racism or sexism? Robert Reid, Carissa Lee and Alison Croggon ask all the questions. Answers? Not so much…
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Witness sound editor Ben Keene gives us a peek inside his editing studio, and his experience with the “musical illusion”: the song of conversation.
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For those who missed our launch and the announcement of the inaugural First Nations Emerging Critic Carissa Lee last month, here’s a taste of what happened on that beautiful autumn afternoon, put together by our recordist, composer and sound editor Ben Keene.
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In the first episode of The Witness Interview, Robert Reid talks to Patricia Cornelius, playwright, performer and thorn in the side of the patriarchy
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