Podcast: The Witness Interview with Candy Bowers. ‘You are asking someone from the field into the house, and we are going to fight. Because I will always fight to decentralise the white patriarchy’
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Mama Alto’s Torch Songs at the Melbourne Recital Centre shows why she’s one of Australia’s most essential voices, says Ben Keene
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The Witness Interview: In this month’s podcast, Robert Reid talks to the unclassifiable Nicola Gunn, one of Australia’s most important and intriguing theatre makers
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The Witness Interview: ‘There’s something fundamentally wrong with young men…that they gravitate to war, that they gravitate to violence, that they gravitate to self destruction…I’ve always felt compelled to wrestle with that.’ Thomas M Wright talks to Alison Croggon
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Robert Reid talks to broadcaster, writer and general arts stalwart Richard Watts, discussing his background as a poet, activist and advocate, and his passionate and abiding connection to Australian arts.
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‘When I think about art, I think: what raises the hair on your arms’ In Part 1 of this super fabulous and candid Witness Interview, Ben Keene talks to performance artist Moira Finucane on the development of her unique queer performance art
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The Witness Interview: Moira Finucane, ‘the patron saint of magpies’, digs into her creative practice in Part 2 of her interview with Ben Keene
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The first Spotlight Podcast, a new series of investigative podcasts produced by Witness sound man Ben Keene, The Bridge explores the remount late last year of The Bridge, Vicki Reynolds’ verbatim play about the West Gate Bridge disaster, and how communities deal with trauma, memory and healing
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For our final Witness Interview of 2018, Robert Reid talks to Ming-Zhu Hii about many things, including artistic risk, the commodification of the arts, racial representation and the early days of blogging.
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In our eighth Witness Podcast, Carissa Lee and Alison Croggon discuss the importance of diversity in arts criticism: why we need it, and why the lack of it contributes to inequalities in the arts.