Carissa Lee attends the first session of Assembly for the Future for BLEED 2020 and leaves with a sense of hope
-
-
Grief, longing, absence: Carissa Lee ponders intimacies beyond and through the screen
-
Do we really need another play that excuses male violence? After seeing Swansong, Carissa Lee thinks not
-
Last year, Witness associate editor Carissa Lee saw a lot of performances about death. What does it mean when we put death on our stages? In particular, what does it mean if you’re Aboriginal?
-
World Problems opens up the political consequences of how we view our personal worlds, says Carissa Lee
-
‘It’s only February, and I think I’ve already seen the show of the year’: Carissa Lee on the scorching music theatre work Barbara and the Camp Dogs
-
‘The warmth in the auditorium was something I’ve only experienced on community nights at blackfella shows”: Carissa Lee on The Butch Monologues
-
How far can comedy go? Carissa Lee ponders Truly Madly Britney’s take on fan culture at Melbourne’s Midsumma festival
-
Gothic has strong moments but ultimately feels like a superficial exploration of the genre, says First Nations Emerging Critic and goth fan Carissa Lee
-
“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director