Carissa Lee

First Nations Emerging Critic Carissa Lee on The Danger Ensemble’s boundary-pushing The Hamlet Apocalypse

First Nations Emerging Critic Carissa Lee discusses why culturally informed reviews are crucial for Indigenous performance

First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my Suitcase

Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an old tragedy, says First Nations Emerging Critic Carissa Lee

‘I wept for Bani’s loss, for so many of our mob who are taken too soon before their time.’ First Nations Emerging Critic Carissa Lee on My Name is Jimi Bani

Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, says First Nations Emerging Critic Carissa Lee

Skye Gellman’s solo show End Grain feels a little lost, says First Nations Emerging Critic Carissa Lee

First Nations Emerging Critic and horror afficionado Carissa Lee gets all the goosebumps in Jakop Ahlbom’s Horror

Sermsah Suri Bin Saad’s Liyan begins strongly but feels a little rushed, says First Nations Emerging Critic Carissa Lee

First Nations Emerging Critic Carissa Lee goes full glamour for Melbourne Fringe’s Kids in Fashion