January 26 is always a hard day for First Nations peoples, says Carissa Lee. And as the ‘Cheesegate’ scandal at Queensland Theatre reveals, our theatre spaces are still unsafe
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Carissa Lee investigates a research project that aims to redress the historical neglect of work by women and non-binary theatre makers
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Carissa Lee attends the first session of Assembly for the Future for BLEED 2020 and leaves with a sense of hope
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Grief, longing, absence: Carissa Lee ponders intimacies beyond and through the screen
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Do we really need another play that excuses male violence? After seeing Swansong, Carissa Lee thinks not
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Last year, Witness associate editor Carissa Lee saw a lot of performances about death. What does it mean when we put death on our stages? In particular, what does it mean if you’re Aboriginal?
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World Problems opens up the political consequences of how we view our personal worlds, says Carissa Lee
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‘It’s only February, and I think I’ve already seen the show of the year’: Carissa Lee on the scorching music theatre work Barbara and the Camp Dogs
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‘The warmth in the auditorium was something I’ve only experienced on community nights at blackfella shows”: Carissa Lee on The Butch Monologues
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How far can comedy go? Carissa Lee ponders Truly Madly Britney’s take on fan culture at Melbourne’s Midsumma festival