Do we really need another play that excuses male violence? After seeing Swansong, Carissa Lee thinks not
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Last year, Witness associate editor Carissa Lee saw a lot of performances about death. What does it mean when we put death on our stages? In particular, what does it mean if you’re Aboriginal?
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World Problems opens up the political consequences of how we view our personal worlds, says Carissa Lee
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‘It’s only February, and I think I’ve already seen the show of the year’: Carissa Lee on the scorching music theatre work Barbara and the Camp Dogs
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‘The warmth in the auditorium was something I’ve only experienced on community nights at blackfella shows”: Carissa Lee on The Butch Monologues
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How far can comedy go? Carissa Lee ponders Truly Madly Britney’s take on fan culture at Melbourne’s Midsumma festival
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Gothic has strong moments but ultimately feels like a superficial exploration of the genre, says First Nations Emerging Critic and goth fan Carissa Lee
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“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director
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An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night
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First Nations Emerging Critic Carissa Lee contemplates her mortality in Bushland