Carissa Lee

Gothic has strong moments but ultimately feels like a superficial exploration of the genre, says First Nations Emerging Critic and goth fan Carissa Lee

“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director

An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night

First Nations Emerging Critic Carissa Lee contemplates her mortality in Bushland

First Nations Emerging Critic Carissa Lee on The Danger Ensemble’s boundary-pushing The Hamlet Apocalypse

First Nations Emerging Critic Carissa Lee discusses why culturally informed reviews are crucial for Indigenous performance

First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my Suitcase

Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an old tragedy, says First Nations Emerging Critic Carissa Lee

‘I wept for Bani’s loss, for so many of our mob who are taken too soon before their time.’ First Nations Emerging Critic Carissa Lee on My Name is Jimi Bani

Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, says First Nations Emerging Critic Carissa Lee