Gothic has strong moments but ultimately feels like a superficial exploration of the genre, says …
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“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director
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An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night
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First Nations Emerging Critic Carissa Lee contemplates her mortality in Bushland
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First Nations Emerging Critic Carissa Lee on The Danger Ensemble’s boundary-pushing The Hamlet Apocalypse
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First Nations Emerging Critic Carissa Lee discusses why culturally informed reviews are crucial for Indigenous …
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First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my …
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Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an …
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‘I wept for Bani’s loss, for so many of our mob who are taken too …
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Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, …