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Monique Grbec

New Review critic Monique Grbec was born on Eora country, raised on Woi Wurrung country, and lives on Wurundjeri country. A child of the Stolen Generations, she is interested in identity, the generational effects of institutionalisation, and the White Australia Policy. Her lifework is fundamentally text based and addressed through the lens of Indigenous Standpoint Theory. Her current work, ‘Bring Them Home’ includes audio and 3D installation. She is a member of Yirramboi Blak Critics.

  • A call to action

    by Monique Grbec

    Richard Frankland’s Conversations with the Dead is given a stirring new production by Ilbijerri Ensemble, says Monique Grbec

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  • Euphoric freedom

    by Monique Grbec

    ‘If you’ve ever overcome the acid of social stigma, the euphoria of these artists speaks for you’: Monique Grbec on Gender Euphoria at the Melbourne Festival

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  • Darkly dreaming

    by Monique Grbec

    Monique Grbec reviews Deer Woman, a powerful crime drama drawing from the murders of Canadian First Nations women

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  • On a wing and a prayer

    by Monique Grbec

    A celebration of love and life, Come from Away is a winning musical about a small town’s community spirit in the wake of the 9/11 terror attacks, says Monique Grbec

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  • Storm in a tea cup

    by Monique Grbec

    The stage adaptation of Colin Thiele’s beloved book Storm Boy is “a carnival of theatrical colonialism and missed opportunities”, says Monique Grbec

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  • Just doing the patriarchy

    by Monique Grbec

    ‘The worst thing about a tragicomedy is the tragedy’: New Review critic Monique Grbec on 15 Minutes from Anywhere’s  Just a Boy, Standing in Front of a Girl 

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