Maryann Sam’s comedy of cultural errors leaves you wanting more, says Monique Grbec
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This deep-listening show summons connection with the seven seasons of Country, says Monique Grbec
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Confronting the reality of Black deaths in custody, Big House Dreaming is a powerful work that invites us to question what is wrong with our justice systems, says Monique Grbec
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Shiralee Hood brings a cracking wit to her Kulin-centric tour of Naarm for her Comedy Festival Show, says Monique Grbec
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A dynamic look at the work of 10 emerging artists, Let’s Take Over 2021 at Darebin Arts leaves an enlivening sense of possibility, says Monique Grbec
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In exploring homelessness in Melbourne, Crash With Me skirts uncomfortably close to trauma porn, says Monique Grbec
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A glimpse into everyday family tensions, the intimacy of Source Amnesia is compromised by its video format, says Monique Grbec
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A new digital take on Wonderland, Alice² picks up how Lewis Carroll used popular games as narrative structures, says Monique Grbec
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The video performances of Come to Where I Am provide the holiday we all need in lockdown, says Monique Grbec
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STCSA’s Decameron 2.0 opens with a series of monologues exploring the idea of sacrifice. Monique Grbec takes a look