Shiralee Hood brings a cracking wit to her Kulin-centric tour of Naarm for her Comedy Festival Show, says Monique Grbec
Monique Grbec

Monique Grbec
New Review critic Monique Grbec was born on Eora country, raised on Woi Wurrung country, and lives on Wurundjeri country. A child of the Stolen Generations, she is interested in identity, the generational effects of institutionalisation, and the White Australia Policy. Her lifework is fundamentally text based and addressed through the lens of Indigenous Standpoint Theory. Her current work, ‘Bring Them Home’ includes audio and 3D installation. She is a member of Yirramboi Blak Critics.
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A dynamic look at the work of 10 emerging artists, Let’s Take Over 2021 at Darebin Arts leaves an enlivening sense of possibility, says Monique Grbec
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In exploring homelessness in Melbourne, Crash With Me skirts uncomfortably close to trauma porn, says Monique Grbec
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A glimpse into everyday family tensions, the intimacy of Source Amnesia is compromised by its video format, says Monique Grbec
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A new digital take on Wonderland, Alice² picks up how Lewis Carroll used popular games as narrative structures, says Monique Grbec
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The video performances of Come to Where I Am provide the holiday we all need in lockdown, says Monique Grbec
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STCSA’s Decameron 2.0 opens with a series of monologues exploring the idea of sacrifice. Monique Grbec takes a look
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Monique Grbec investigates The Ministry of Mundane Mysteries, an immersive audio work from Canada that crafts a new story for every participant
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As part of its response to pandemic cancellations, Next Wave offered a home-delivered care package for isolated audience members. Monique Grbec reports
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Redefining two worlds: Monique Grbec on Yirra Yaakin’s inclusive vision in Hecate, their Noongar adaptation of Macbeth