Redefining two worlds: Monique Grbec on Yirra Yaakin’s inclusive vision in Hecate, their Noongar adaptation of Macbeth
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Back in a sparkling new production for its 30th anniversary, the classic Aboriginal road musical Bran Nue Day reveals a bleeding heart beneath its smile, says Monique Grbec
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Monique Grbec on Buŋgul, a breathtaking opening to the Perth Festival’s all-Indigenous first week
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Richard Frankland’s Conversations with the Dead is given a stirring new production by Ilbijerri Ensemble, says Monique Grbec
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Monique Grbec reports on Chamber Made’s Hi-Viz Practice Exchange, a day of connection for women and non-binary artists
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‘If you’ve ever overcome the acid of social stigma, the euphoria of these artists speaks for you’: Monique Grbec on Gender Euphoria at the Melbourne Festival
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Monique Grbec reviews Deer Woman, a powerful crime drama drawing from the murders of Canadian First Nations women
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Monique Grbec on Jacob Boehme’s brave, funny and beautiful multidisciplinary work, Blood on the Dance Floor
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‘Cruising through the crank of hip hop, Omar Musa shines like the beautiful beacon he aspires to be’: Monique Grbec on When Ali Died
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A celebration of love and life, Come from Away is a winning musical about a small town’s community spirit in the wake of the 9/11 terror attacks, says Monique Grbec
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