The video performances of Come to Where I Am provide the holiday we all need in lockdown, says Monique Grbec
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STCSA’s Decameron 2.0 opens with a series of monologues exploring the idea of sacrifice. Monique Grbec takes a look
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Monique Grbec investigates The Ministry of Mundane Mysteries, an immersive audio work from Canada that crafts a new story for every participant
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As part of its response to pandemic cancellations, Next Wave offered a home-delivered care package for isolated audience members. Monique Grbec reports
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Redefining two worlds: Monique Grbec on Yirra Yaakin’s inclusive vision in Hecate, their Noongar adaptation of Macbeth
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Back in a sparkling new production for its 30th anniversary, the classic Aboriginal road musical Bran Nue Day reveals a bleeding heart beneath its smile, says Monique Grbec
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Monique Grbec on Buŋgul, a breathtaking opening to the Perth Festival’s all-Indigenous first week
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Richard Frankland’s Conversations with the Dead is given a stirring new production by Ilbijerri Ensemble, says Monique Grbec
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Monique Grbec reports on Chamber Made’s Hi-Viz Practice Exchange, a day of connection for women and non-binary artists
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‘If you’ve ever overcome the acid of social stigma, the euphoria of these artists speaks for you’: Monique Grbec on Gender Euphoria at the Melbourne Festival
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