A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says that it’s a model of accessible dance
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Can we really describe dance? Olivia Muscat reviews Blindly Following Matisse, a work created from audio description for the Tempo Dance Festival
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Olivia Muscat is transported by Hannah Brontë’s audio-visual work mi$$ Eupnea at BLEED 2020
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‘An atmospheric portal opened up and dropped me somewhere I don’t think I can describe’. Blind critic Olivia Muscat goes on a walk with Rachel Meyers’ Southern Ecophony: Wind and Water
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‘I felt as if I was supposed to be left with some profound thought or feeling. But somehow I was left with…nothing?’ Blind critic Olivia Muscat is ultimately baffled by Arbus and West
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‘There was so much joy in that space’: Blind critic Olivia Muscat attends her first ever dance performance, Dancing Qweens
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‘Some days it feels like I’m a starving animal, happy to accept the tiniest crumbs someone is willing to throw my way’: Blind critic Olivia Muscat calls for a total rethink of our ideas about inclusion
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‘I was desperately waiting for something to throw me off, to make me sit up and really pay attention’: Blind reviewer Olivia Muscat attends an audio-described performance of The Architect