Robert Reid finds the circus of NoFit State’s Lexicon impressive but lacking in focus
Robert Reid

Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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‘I realise that I don’t believe any more that silence is Australia’s problem, that I …
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Ascent is an ambitious work that examines the physical anxieties of women, says Robert Reid
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Robert Reid and Sayraphim Lothian attend an intriguing auditory experience for children, I Am Hear, …
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Never Ending Night, a post-apocalyptic immersive experience, leaves Robert Reid pondering his role as an …
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Ten years ago, Elbow Room premiered There. During Melbourne Fringe, they remounted it in tandem …
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Robert Reid says Cam Venn’s Charles Horse Lays an Egg is Fringe at its Fringiest
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Robert Reid is charmed by The Rest is Drag at the Butterfly Club, a melodrama …
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Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what …
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A brilliant performance, a fascinating text, and yet…Robert Reid on Scaramouche Jones