Robert Reid continues his exploration of the hidden corners of Australian playwriting with a story of colonial Tasmania, Catherine Shepherd’s 1938 play Daybreak
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Now we’re all extras in a disaster movie, Robert Reid thinks through the dramaturgy of pandemic
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Robert Reid continues his isolation reviews of Australian plays with Angela Fewster’s Black Crysanthemums
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In the first of a new video series focusing on lesser known works in the Australian canon, Robert Reid reviews Dorothy Blewett’s 1941 play Quiet Night
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A surprisingly gentle and empathic play that leaves a haunting sadness: Robert Reid on Daniel Keene’s The Curtain
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Robert Reid encounters an exuberant masculinity in Between Tiny Cities
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NONOTAK’S Shiro is a hypnotic encounter with pure aesthetic, says Robert Reid
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The virtual reality experience Eight leaves
Robert Reid spellbound -
‘I keep wanting to close my eyes and just listen to the music’: Mozart’s Requiem is magnificent. But Romeo Castelluci’s visuals leave Robert Reid cold
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‘This is some of the best writing I’ve seen in a long time’: Robert Icke’s production of The Doctor at the Adelaide Festival leaves Robert Reid transfixed and enthralled