‘Beau is a body inhabited by ghosts that in turn summon ghosts’: Robert Reid on Dickie Beau’s Re-member Me
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La Boite’s Prize Fighter packs a mighty emotional punch, says Robert Reid
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Robert Reid finds the circus of NoFit State’s Lexicon impressive but lacking in focus
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‘I realise that I don’t believe any more that silence is Australia’s problem, that I think the opposite’: Robert Reid sorts through his dissastisfactions with Belarus Free Theatre’s co-production with Malthouse, Trustees
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Ascent is an ambitious work that examines the physical anxieties of women, says Robert Reid
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Robert Reid and Sayraphim Lothian attend an intriguing auditory experience for children, I Am Hear, without a child
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Never Ending Night, a post-apocalyptic immersive experience, leaves Robert Reid pondering his role as an audience member
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Ten years ago, Elbow Room premiered There. During Melbourne Fringe, they remounted it in tandem with Here, a new work by the same artists. Robert Reid winds his way through the metatheatrical labyrinth
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Robert Reid says Cam Venn’s Charles Horse Lays an Egg is Fringe at its Fringiest
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Robert Reid is charmed by The Rest is Drag at the Butterfly Club, a melodrama for contemporary times