The subtleties of grieving are beautifully evoked in Lemony S Puppet Theatre’s Taking the Waters, says Robert Reid
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Despite stellar artists, The Audition at La Mama thins out and ultimately goes nowhere, says Robert Reid
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Thigh Gap at La Mama tracks how the demands of patriarchy turn us into monsters, says Robert Reid
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A Normal Child evokes the ‘awkwardness, contradiction and messy humanity’ of the question of representation, says Robert Reid
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Ellen Grimshaw’s polyvocal Just Us Girls – What’s a Girl? reminds Robert Reid of Samuel Beckett. And Blondie
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‘Everything about The Bloom Shed reminds me of the “good” old days of the Indy Theatre Boom of the 2000s’: Robert Reid on The Market is a Wind-up Toy
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With its regimented, mechnical movement, Sandra Parker’s Adherence recalls a science fiction dystopia, says Robert Reid
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An immersive work that tackles our inaction on the climate crisis, What Am I Supposed To Do (WAISTD) is inventive but politically underwhelming, says Robert Reid
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‘A love of life might not have been better depicted on stage than a lone person joyfully rollerskating naked’: Robert Reid on Andi Snelling’s Happy Go Wrong
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A razor-sharp parody of Australian hypocrisy, with dangerously empty moments: Robert Reid on the Batmania bus tour at Melbourne Fringe