‘A love of life might not have been better depicted on stage than a lone person joyfully rollerskating naked’: Robert Reid on Andi Snelling’s Happy Go Wrong
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A razor-sharp parody of Australian hypocrisy, with dangerously empty moments: Robert Reid on the Batmania bus tour at Melbourne Fringe
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The devastating funding cuts of the mid-90s are being repeated, destroying the painstaking repairs of the past two decades. Robert Reid on this particular circle of arts hell
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A pastiche epic of the Australian and British theatre of the 70s with a dash of feminist politics as its core, The Other Place is neither wild nor smart enough, says Robert Reid
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‘In this assertion of humanity lingers the spark that becomes revolution’: Robert Reid on Wild Cherries at La Mama
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Shakespeare in Love was always going to be a crowd pleaser. But for Robert Reid, it’s an opportunity missed
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‘Since this is already two movies, why make a play that seems like a movie?’: Robert Reid on the Malthouse adaptation of Solaris
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Hallowed Ground gives space to the unheard stories of women in the army, but Robert Reid says that the rhetoric of militarism suffuses every scene
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Caryl Churchill’s devastating Escaped Alone at Red Stitch features some of the finest theatrical talent in this city, says Robert Reid
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How do white artists use refugees to make art? Return to Escape from Woomera prompts Robert Reid to ponder well-meaning political art in the Age of Morrison