The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid
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The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world
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Witness critics preview this year’s Melbourne Fringe program, here despite everything
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Darkfield Radio’s Visitors, an audio ghost story in which the set is your own home, leaves Robert Reid hungry for more
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Holesp@ce, from multi-disciplinary collective STRANGEkit. is a surreal tour through our hyperconnected present, says Robert Reid
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Critical Stages’ Come to Where I Am is illuminating the potential of performance online, says Robert Reid
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The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, says Robert Reid
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The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we musn’t blow it
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If some real thought were applied to the MTC’s audio treatment of The Turn of the Screw, says Robert Reid, it could have been amazing
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Caitlin Beresford Ord embodies a forgotten Australian vaudeville star in Black Swan’s The Perfect Boy. Robert Reid checks it out