Michele Lee’s Broth Bitch uses a podcast format to follow the life of “vegan soup goddess”, says Robert Reid
Robert Reid

Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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‘People ignore it. Children play tag in spite of it. Teenagers dare each other to punch it.’ Robert Reid on Federation Square’s public artwork Sky Castle
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The Bloomshed’s audio adaptation of Paradise Lost is a delightfully self aware, satirical take on…
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The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid
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The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world
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Witness critics preview this year’s Melbourne Fringe program, here despite everything
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Darkfield Radio’s Visitors, an audio ghost story in which the set is your own home, leaves Robert Reid hungry for more
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Holesp@ce, from multi-disciplinary collective STRANGEkit. is a surreal tour through our hyperconnected present, says Robert Reid
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Critical Stages’ Come to Where I Am is illuminating the potential of performance online, says Robert Reid
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The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, says Robert Reid