Charles Manson as the usher of 21st century psychosis: Robert Reid reviews Sneakyville.
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Robert Reid sees the Bloomshed’s The Nose, a contemporary take on Nikolai Gogol’s classic story
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The beginning of theatre as we know it now. In Video Histories: Episode 5.1: Witness historian Robert Reid looks at the beginning of the era of subsidised theatre.
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Robert Reid reviews Emily Collyer’s Contest, an epic examination of relationships between women
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“Nostalgia for the days when falling in love and starting a band and saying fuck the world meant something. Meant everything.” Robert Reid on Elbow Room’s Prehistoric
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Robert Reid reviews Annie Baker’s The Antipodes and tumbles into a chaotic vision of creation.
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Robert Reid on MKA’s A Public Reading of an Unproduced Screenplay about the Death of Walt Disney
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“Think it can’t happen again? It’s already happening.” Robert Reid on two unsettlingly timely productions – Robyn Archer’s Dancing on the Volcano and Michael Gurr’s Crazy Brave
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The future is female: Robert Reid reviews Maude and Anni Davey’s retro-futuristic Brave World at Fortyfive Downstairs
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It all happens in the ellipses. Robert Reid goes to see Circuz Oz’s Precarious.