Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis
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How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with …
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Charles Manson as the usher of 21st century psychosis: Robert Reid reviews Sneakyville.
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Robert Reid sees the Bloomshed’s The Nose, a contemporary take on Nikolai Gogol’s classic story
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The beginning of theatre as we know it now. In Video Histories: Episode 5.1: Witness …
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Robert Reid reviews Emily Collyer’s Contest, an epic examination of relationships between women
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“Nostalgia for the days when falling in love and starting a band and saying fuck …
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Robert Reid reviews Annie Baker’s The Antipodes and tumbles into a chaotic vision of creation.
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Robert Reid on MKA’s A Public Reading of an Unproduced Screenplay about the Death of …
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“Think it can’t happen again? It’s already happening.” Robert Reid on two unsettlingly timely productions …