The future is female: Robert Reid reviews Maude and Anni Davey’s retro-futuristic Brave World at …
Robert Reid

Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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It all happens in the ellipses. Robert Reid goes to see Circuz Oz’s Precarious.
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“White. Noise. So much white on stage. White Walls. White floor. White curtains that don’t …
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Before the era of government subsidies, Australian colonial theatre was dominated by a production behemoth, …
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Robert Reid sees My Sister Feather at La Mama and discovers a masterfully crafted production
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“The life of the building is in its communities, not in the thousands of layers …
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Robert Reid sees After Dark’s cabaret/circus show Society and owns up to his inner curmudgeon.
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Witness Histories, Episode 3 Part 1: Robert Reid tracks Australian theatre through the 19th century, …
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Witness Histories, Episode 3 Part 2: Robert Reid tracks Australian theatre through the 19th century, …
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In Next Wave’s Canine Choreography, Robert Reid discovers that untrained dogs are just…untrained dogs