There’s something disturbing about Right Now at Red Stitch, says Robert Reid. Something about how …
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Robert Reid finds himself suspended in time in Jean Tong’s new play, Hungry Ghosts
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Government arts funding is on the way out, says Robert Reid. And if arts companies …
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Robert Reid reviews Chunky Move’s new work Common Ground: the “utopian duet” in the age …
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Robert Reid on Jodee Mundy’s Personal, a charming bilingual performance for the Deaf and the hearing
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Robert Reid attends the first act of an extraordinary immersive performance of Chekhov’s Uncle Vanya …
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There were plays! There were riots! There were offended clerics and government shutdowns! Robert Reid …
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“David Finnigan seems the most unlikely candidate for a provocateur. He’s intelligent, polite, slightly awkward. …
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“I’m considering the people passing by. I imagine them in a world changed by global …
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Robert Reid reviews the Keir Choreographic Award: Yoni, Stop-Go and Public Action