How do white artists use refugees to make art? Return to Escape from Woomera prompts …
Robert Reid
Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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Robert Reid considers the epic nostalgia that is the phenomenon of Malthouse Theatre’s Cloudstreet
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‘An excellent example of how critique can be embodied. How it can be physical and …
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A participatory play about climate change, Whale is desperately sad, says Robert Reid
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‘We cannot keep pulling up the past behind us as we go’: Robert Reid on …
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Comedy is traded for camp in Bell Shakespeare’s adaptation of The Miser, says Robert Reid
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‘Something crucial is missing’: Robert Reid is uninspired by Opera Australia’s West Side Story
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Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the …
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‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example
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Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of …