An engrossing exploration: Robert Reid on Alison Currie’s Concrete Impermanence
Robert Reid
Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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‘If everything is meaningful, then nothing is’: Robert Reid on Iain Sinclair’s hallucinatory production of …
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‘I keep seeing the biological and mechanical, the visceral mechanics of biology, cells and atoms. …
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‘The contrast of these two women, their stories, their politics, their mythologies, goes begging’: Robert …
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In this month’s Video History, join Witness historian Robert Reid on a walking tour of …
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‘This production is perhaps at its most eloquent when it is at its most inarticulate’: …
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Bedtime Stories for Girls at The Butterfly Club is an ‘acid reflection of the cartoonish …
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‘I find myself not only questioning the value of these tears, but also their cost. …
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The artifical dilemma of binaries: Robert Reid on Fifteen Minutes from Anywhere’s return season of …
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‘A triumph: remarkable, stunning, heart breaking’: Robert Reid on Silvia Calderoni’s extraordinary MDLSX