“What will we do while we are still free to do it?” Cassie Tongue on Daniel Schlusser’s remarkable adaptation of Christa Wolf’s novel They Divided the Sky
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“Does the picture in your head ever go away?” Monique Grbec reviews Jada Albert’s Brothers Wreck, a devastating play about Indigenous suicide.
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Alison Croggon and Robert Reid review Lone, a fascinating one-on-one work from The Rabble and St Martins Youth Theatre
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When representation isn’t enough: Tom Middleditch of A_tistic Theatre looks at the knotty question of diversity in creative teams
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“You can write what you know without writing the literal occurrences of your own personal life.” Playwright Jean Tong is over her work being read as autobiographical.
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We don’t want to be constantly shaking our metaphorical cans in your face so after March, we stepped backand concentrated on getting things done. But now it’s time for our EOFY campaign. Here’s why we need your support.
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Phew, 2018 is whizzing by at light speed. It’s already time to talk about our…
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Our June Live Night is from our Stage Partner Red Stitch Actors Theatre – the Melbourne premiere of Joanna Murray-Smith’s Fury. Book early for this one: again, it’s bound to be a popular show.
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‘To take a breath is complex. To be outside power and yet still speak is phenomenal.’ Cassie Tongue on Sydney Chamber Opera’s extraordinary new work, The Howling Girls.
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“Girls, I think your father’s dead. I knocked his knees out. I conked his head. I shot that house clown in the neck.” With the help of our wonderful Stage Partner Arts Centre Melbourne, who are providing discount tickets to Witness members, our May Live Night is the Melbourne premiere of Angus Cerini’s award-winning play The Bleeding Tree.
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