Our youth correspondent Gully Thompson on the Melbourne season of Terrapin’s A Not So Traditional Story, opening soon at the Brisbane Festival
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‘The level of the audience’s participation in the show, whether it was screams, cheers, boos or bear growls, was something to behold’: youth critic Gully Thompson on Black Honey’s One the Bear
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Autistic critic Jess Flint reviews A_tistic Theatre’s Helping Hands, a show that explores how ‘help’ can sometimes be the opposite
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How do we make systemic change in an often resistant industry? Jessica Walton reflects on an empowering symposium on disability and the arts
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From its initial season as a fringe play, Fleabag has grown to a global phenomenon. Kirsten Krauth talks to Sian Clifford about playing sisters with Phoebe Waller-Bridge
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When Tom Middleditch, a vocal advocate for neurodiverse representation on stage, saw Robot Song, his first response was rage. But then he changed his mind. This is what happened…
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Canadian First Nations choreographer Lara Kramer draws a surreal picture of colonised life in Windigo, says Philipa Rothfield
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Yumi Umiumare’s Butoh work Forbidden Laughter shows that laughter isn’t always funny, says Philipa Rothfield
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Teen critic Gully Thompson is disappointed by the stage adaptation of David Walliams’ Billionaire Boy
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‘Disabled artists should be a priority for this industry. Many artists are already there creating work. They don’t need mentorships! They need money.’ Jessica Walton on the power of disability-led art