‘To take a breath is complex. To be outside power and yet still speak is phenomenal.’ Cassie Tongue on Sydney Chamber Opera’s extraordinary new work, The Howling Girls.
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“Girls, I think your father’s dead. I knocked his knees out. I conked his head. I shot that house clown in the neck.” With the help of our wonderful Stage Partner Arts Centre Melbourne, who are providing discount tickets to Witness members, our May Live Night is the Melbourne premiere of Angus Cerini’s award-winning play The Bleeding Tree.
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Jane Howard on Akram Khan’s new work Xenos, which played at the Adelaide Festival at the beginning of a world tour
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Fanfare! As we threatened, we have put together an exciting program of Melbourne Live Nights with our Stage Partners, in which you come to the theatre with us and tell us what you thought. This is Book Club for theatre: an informal chat after a show, facilitated by Witness.
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Our inaugural First Nations Emerging Critic is the multi-talented and super-deadly Carissa Lee: poet, actor, critic and Instagram queen.
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Come with Witness to see Jodee Mundy’s Personal, a blend of performance, storytelling, multimedia and animation that delves into the contradictions of living in a Deaf family in a society that views the family with voyeuristic curiosity.
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We’re almost there. We think we deserve a celebration. And you’re invited.
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An invitation to a special Live Night: an extended workshop around the Keir Choreographic Award
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We’re seeking an emerging First Nations critic based in Melbourne to work with us throughout 2018.
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An invitation to our experimental Live Night: The Testament of Mary at Malthouse Theatre
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