How do we make systemic change in an often resistant industry? Jessica Walton reflects on an empowering symposium on disability and the arts
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From its initial season as a fringe play, Fleabag has grown to a global phenomenon. Kirsten Krauth talks to Sian Clifford about playing sisters with Phoebe Waller-Bridge
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When Tom Middleditch, a vocal advocate for neurodiverse representation on stage, saw Robot Song, his first response was rage. But then he changed his mind. This is what happened…
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Canadian First Nations choreographer Lara Kramer draws a surreal picture of colonised life in Windigo, says Philipa Rothfield
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Yumi Umiumare’s Butoh work Forbidden Laughter shows that laughter isn’t always funny, says Philipa Rothfield
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‘Disabled artists should be a priority for this industry. Many artists are already there creating work. They don’t need mentorships! They need money.’ Jessica Walton on the power of disability-led art
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Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night
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Creating worlds: Philipa Rothfield on Lilian Steiner’s Memoir for Rivers and the Dictator and Rachel Arianne Ogle’s i have loved the Stars too Fondly to be Fearful of the Night
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Come and see some dance with Witness! Details and discounts for Dance Massive
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Kirsten Krauth speaks to directors Glyn Roberts, Lindy Hume and Glenn Wright about their upcoming regional arts festivals: the Newcastle State Festival, 10 Days on the Island and the Bendigo Autumn Music festival.