What are Relaxed Performances? Who are they for? And why do they matter? Tom Middleditch, artistic director of A-tistic, gives us the lowdown
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Announcing the 2019 First Nations Emerging Critic: choreographer, dancer and artistic powerhouse Jacob Boehme
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We made it this far. AWESOME! But Witness needs your help or we’ll have to close in June…
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Teen critic Gully Thompson takes a look at Arts Centre Melbourne’s Stories in the Wall, an ongoing project that harnesses the creative imagination of primary school children
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Applications are now open for the 2019 First Nations Emerging Critic
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Vox Motus’ Flight is a powerful artwork about child asylum seekers that drives home global realities, says young critic Gully Thompson
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Twin Peaks, Lady Gaga, the Wizard of Oz and Santa Claus: UK critic Megan Vaughan reviews Adena Jacobs and Marg Horwell’s trashy interpretation of Salome at the English National Opera in London
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For November’s Live Night, we’re heading West to The Substation to see a remount of Vicky Reynolds’ verbatim play The Bridge
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The rights of women to bodily autonomy are non-negotiable. So are the rights of people with disabilities. Danica Kohn on the Melbourne Fringe show 19 Weeks
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Video: Art for young people is often marginalised and dismissed in the wider culture. In this lively and passionate Witness discussion at Arts House, part of the Melbourne Fringe XS program, our panellists discussed everything about art for young people – what it is, how it is discussed and evaluated, and why it matters.