‘The whole production looks like an attack on heteronormative patriarchy, dressed up as a surreal …
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A stale retelling: Alison Croggon on Lost & Found’s Perth Festival opera, Ned Kelly
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‘Kwongkan squanders its moments of power by reaching for a simplistic idea of protest’: Alison Croggon …
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‘There’s a very British heartlessness lurking in the centre of this play that the over-produced …
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As Next Wave opens its callout for artist submissions to the 2020 festival, Alison Croggon …
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‘A deeply interesting investigation of how the historical perversity of slavery deforms human relationships up …
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Funny, angry, anarchic and moving: Alison Croggon reviews Old Stock: A Refugee Love Story
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‘Being part of that audience was electrifying’: Alison Croggon on Mama Alto and Maude Davey’s …
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Alison Croggon on Ridiculusmus’s extraordinary final show, the maddening and deeply moving Die! Die! Die! Old …
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An oratorio of private pain: Alison Croggon reviews Lab Kelpie’s brilliant production of Mary Anne …