Alison Croggon finds that Mish Grigor’s The Talk raises confronting questions about consent
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If the Australian media understood theatre instead of dissing it, we might have a better chance of seeing our politics clearly. Alison Croggon explains why.
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Alison Croggon reviews Justin Shoulder’s visionary spectacle of the post-human, Carrion.
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“Gloria is television theatre, for a television generation.” Alison Croggon reviews Gloria, Branden Jacobs-Jenkins’ play at the Melbourne Theatre Company
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“It made me feel that I was watching some fin de siècle performance, possibly in 1890s Paris.” Alison Croggon reviews Little Ones Theatre’s The Nightingale and the Rose.
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Alison Croggon teases out some thoughts on Patricia Cornelius’ remarkable adaptation of The House of Bernarda Alba at the Melbourne Theatre Company.
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“Writing is a kind of magic, and this spell is very particular.” Alison Croggon on Rosie Isaac’s Next Wave work, Intestine in my Eye.
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Alison Croggon reviews the hotly anticipated Melbourne production of Angus Cerini’s The Bleeding Tree
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‘The performers are looking at us, assessing us. Turning back the dominant gaze, drilling into it.’ Alison Croggon reviews Slown, Smallened and Son’s Lady Example at Next Wave
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Alison Croggon wonders why Bliss is the story that needs to be told right now