‘None of this history is simple, just as nothing about gender is simple’: Alison Croggon …
Alison Croggon
Alison Croggon
Alison Croggon is co-editor and co-founder of Witness. She is an award-winning novelist, poet, librettist and critic. She has 30 years experience reviewing performance for outlets such as the Australian, ABC Arts Online and The Monthly and generated an international reputation as a performance critic with her influential blog Theatre Notes, which revolutionised performance discourse in Australia. In 2009 she was the first online critic to win the prestigious Geraldine Pascall Critic of the Year Award. In 2019 her play My Dearworthy Darling will be performed by The Rabble at Malthouse Theatre.
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Alison Croggon reviews emerging choreographers Lauren Langlois and Joel Bray in Chunky Move’s Next Move …
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‘The trial has prompted a deep anger within the theatre community. Its reverberations will echo …
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‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet …
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‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One …
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The music of Mark Morris’ Layla and Majnun is unmissable, says Alison Croggon. But she’s …
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‘Trauma, its aftershocks, its fragmentation, its strange, loud silence.’ Alison Croggon on Rawcus’ Song for …
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In Particle/Wave, a collaboration between artists and scientists, Alison Croggon says that the confounding abstractions …
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‘A modestly radiant show that somehow illuminates the whole of existence’: Alison Croggon on Barry …
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Despite a sumptuous production, Aidan Fennessy’s new play The Architect leaves Alison Croggon with some nagging questions