In his production of Medea, Simon Stone bring his contemporary approach to classic Greek tragedy, …
Robert Reid
Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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Coming out of last year’s pandemic, two clowning shows – The Anniversary and Jofus and …
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Michele Lee’s Broth Bitch uses a podcast format to follow the life of “vegan soup …
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‘People ignore it. Children play tag in spite of it. Teenagers dare each other to …
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The Bloomshed’s audio adaptation of Paradise Lost is a delightfully self aware, satirical take on …
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The Agency of Coney’s Telephone is a playful invitation into a communal online space, says …
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The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world
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Witness critics preview this year’s Melbourne Fringe program, here despite everything
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Darkfield Radio’s Visitors, an audio ghost story in which the set is your own home, …
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Holesp@ce, from multi-disciplinary collective STRANGEkit. is a surreal tour through our hyperconnected present, says Robert …