Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid
-
-
‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example
-
Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of colonisation
-
An engrossing exploration: Robert Reid on Alison Currie’s Concrete Impermanence
-
‘If everything is meaningful, then nothing is’: Robert Reid on Iain Sinclair’s hallucinatory production of A View from the Bridge at the Melbourne Theatre Company
-
‘I keep seeing the biological and mechanical, the visceral mechanics of biology, cells and atoms. The physics of life’: Robert Reid on Madeleine Krenek and Frankie Snowdon’s The Perception Experiment
-
‘The contrast of these two women, their stories, their politics, their mythologies, goes begging’: Robert Reid on Stephen Sewell’s Arbus and West
-
In this month’s Video History, join Witness historian Robert Reid on a walking tour of Melbourne’s lost theatres
-
‘This production is perhaps at its most eloquent when it is at its most inarticulate’: Robert Reid on M: Kaddish for the Children at Footscray Community Arts Centre
-
Bedtime Stories for Girls at The Butterfly Club is an ‘acid reflection of the cartoonish femininity imposed on women’, says Robert Reid