Robert Reid is charmed by The Rest is Drag at the Butterfly Club, a melodrama for contemporary times
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Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what happens when the pandemic hits
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A brilliant performance, a fascinating text, and yet…Robert Reid on Scaramouche Jones
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Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis
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How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with the end of the world: RUR_2020 and Oil Babies
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Charles Manson as the usher of 21st century psychosis: Robert Reid reviews Sneakyville.
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Robert Reid sees the Bloomshed’s The Nose, a contemporary take on Nikolai Gogol’s classic story
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The beginning of theatre as we know it now. In Video Histories: Episode 5.1: Witness historian Robert Reid looks at the beginning of the era of subsidised theatre.
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Robert Reid reviews Emily Collyer’s Contest, an epic examination of relationships between women
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“Nostalgia for the days when falling in love and starting a band and saying fuck the world meant something. Meant everything.” Robert Reid on Elbow Room’s Prehistoric