A participatory play about climate change, Whale is desperately sad, says Robert Reid
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‘We cannot keep pulling up the past behind us as we go’: Robert Reid on the rolling cultural disaster of unpublished Australian plays
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Comedy is traded for camp in Bell Shakespeare’s adaptation of The Miser, says Robert Reid
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‘Something crucial is missing’: Robert Reid is uninspired by Opera Australia’s West Side Story
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Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid
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‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example
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Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of colonisation
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An engrossing exploration: Robert Reid on Alison Currie’s Concrete Impermanence
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‘If everything is meaningful, then nothing is’: Robert Reid on Iain Sinclair’s hallucinatory production of A View from the Bridge at the Melbourne Theatre Company
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‘I keep seeing the biological and mechanical, the visceral mechanics of biology, cells and atoms. The physics of life’: Robert Reid on Madeleine Krenek and Frankie Snowdon’s The Perception Experiment