In his production of Medea, Simon Stone bring his contemporary approach to classic Greek tragedy, and strips it of much of its power, says Robert Reid
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Coming out of last year’s pandemic, two clowning shows – The Anniversary and Jofus and the Whale – show very different aspects of the art, says Robert Reid
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Michele Lee’s Broth Bitch uses a podcast format to follow the life of “vegan soup goddess”, says Robert Reid
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‘People ignore it. Children play tag in spite of it. Teenagers dare each other to punch it.’ Robert Reid on Federation Square’s public artwork Sky Castle
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The Bloomshed’s audio adaptation of Paradise Lost is a delightfully self aware, satirical take on…
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The Agency of Coney’s Telephone is a playful invitation into a communal online space, says Robert Reid
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The Powerpoint adventures of a red square invite Robert Reid into a bizarre alternative world
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Witness critics preview this year’s Melbourne Fringe program, here despite everything
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Darkfield Radio’s Visitors, an audio ghost story in which the set is your own home, leaves Robert Reid hungry for more
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Holesp@ce, from multi-disciplinary collective STRANGEkit. is a surreal tour through our hyperconnected present, says Robert Reid