Ascent is an ambitious work that examines the physical anxieties of women, says Robert Reid
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Robert Reid and Sayraphim Lothian attend an intriguing auditory experience for children, I Am Hear, without a child
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Never Ending Night, a post-apocalyptic immersive experience, leaves Robert Reid pondering his role as an audience member
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Ten years ago, Elbow Room premiered There. During Melbourne Fringe, they remounted it in tandem with Here, a new work by the same artists. Robert Reid winds his way through the metatheatrical labyrinth
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Robert Reid says Cam Venn’s Charles Horse Lays an Egg is Fringe at its Fringiest
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Robert Reid is charmed by The Rest is Drag at the Butterfly Club, a melodrama for contemporary times
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Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what happens when the pandemic hits
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A brilliant performance, a fascinating text, and yet…Robert Reid on Scaramouche Jones
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Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis
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How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with the end of the world: RUR_2020 and Oil Babies