‘I keep wanting to close my eyes and just listen to the music’: Mozart’s Requiem is magnificent. But Romeo Castelluci’s visuals leave Robert Reid cold
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‘This is some of the best writing I’ve seen in a long time’: Robert Icke’s production of The Doctor at the Adelaide Festival leaves Robert Reid transfixed and enthralled
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Sipat Lawin’s latest work at AsiaTOPA is a dazzlingly intelligent pop culture tour that carries a dark subtext, says Robert Reid
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Kim Ho’s The Great Australian Play at Theatre Works is a post dramatic swing at some of Australia’s favourite colonial tropes. Historian and playwright Robert Reid unpicks some of its threads
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Is it enough to re-create a myth? Robert Reid on Marlene Dietrich Perfect Illusion at the Butterfly Club
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‘It’s awkward, it’s rough, it’s messy, it’s hit-and-miss; but there are glints of something really great here’: Robert Reid on Po Po Mo Co’s Summer of the Seventeenth Doll at Midsumma
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The subtleties of grieving are beautifully evoked in Lemony S Puppet Theatre’s Taking the Waters, says Robert Reid
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Despite stellar artists, The Audition at La Mama thins out and ultimately goes nowhere, says Robert Reid
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Thigh Gap at La Mama tracks how the demands of patriarchy turn us into monsters, says Robert Reid
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A Normal Child evokes the ‘awkwardness, contradiction and messy humanity’ of the question of representation, says Robert Reid