Kim Ho’s The Great Australian Play at Theatre Works is a post dramatic swing at …
Robert Reid
Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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Is it enough to re-create a myth? Robert Reid on Marlene Dietrich Perfect Illusion at …
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‘It’s awkward, it’s rough, it’s messy, it’s hit-and-miss; but there are glints of something really …
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The subtleties of grieving are beautifully evoked in Lemony S Puppet Theatre’s Taking the Waters, …
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Despite stellar artists, The Audition at La Mama thins out and ultimately goes nowhere, says …
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Thigh Gap at La Mama tracks how the demands of patriarchy turn us into monsters, …
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A Normal Child evokes the ‘awkwardness, contradiction and messy humanity’ of the question of representation, …
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Ellen Grimshaw’s polyvocal Just Us Girls – What’s a Girl? reminds Robert Reid of Samuel …
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‘Everything about The Bloom Shed reminds me of the “good” old days of the Indy …
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With its regimented, mechnical movement, Sandra Parker’s Adherence recalls a science fiction dystopia, says Robert …