Witness Critical Focus: Dance Massive 2019
Alison Croggon on watching two extraordinary bodies in Narelle Benjamin and Paul White’s Cella
Witness Critical Focus: Dance Massive 2019
Alison Croggon on watching two extraordinary bodies in Narelle Benjamin and Paul White’s Cella
‘A beautiful opening of the self’: Alison Croggon on Public Actions from Luke George and …
A purely conceptual dramaturgy lets down the strong work of the performers in The Difficult …
‘I keep seeing the biological and mechanical, the visceral mechanics of biology, cells and atoms. …
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