‘For the space of an hour, a magical space, it was a reminder of possibility’: …
Experimental performance
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The Last Great Hunt’s first main stage show demonstrates that they deserve to be there. …
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‘Kwongkan squanders its moments of power by reaching for a simplistic idea of protest’: Alison Croggon …
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‘A triumph: remarkable, stunning, heart breaking’: Robert Reid on Silvia Calderoni’s extraordinary MDLSX
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Robert Reid barely survives a ‘howling maelstrom of transgressive audience behaviour’ in The Miss Behave …
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‘Being part of that audience was electrifying’: Alison Croggon on Mama Alto and Maude Davey’s …
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‘The no-space, the no-time, the un-now, of waiting to die, is hauntingly sketched’: Robert Reid …
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Alison Croggon unloosed her inner child and ventured to German theatre maker Sybille Peters’ live …
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Robert Reid and Sayraphim Lothian attend an intriguing auditory experience for children, I Am Hear, …
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Never Ending Night, a post-apocalyptic immersive experience, leaves Robert Reid pondering his role as an …