‘It’s interesting how lines that once simply slipped by register with spikes now’: Alison Croggon …
classic plays
-
-
‘This production is certainly well-intentioned, but it’s let down by its larger architecture’: Alison Croggon …
-
‘A first-rate revival ‘: Ben Brooker on Kate Champion’s A View from the Bridge at Adelaide’s …
-
Comedy is traded for camp in Bell Shakespeare’s adaptation of The Miser, says Robert Reid
-
‘If everything is meaningful, then nothing is’: Robert Reid on Iain Sinclair’s hallucinatory production of …
-
Australian main stages are finally catching up with multiracial casting. It’s about time. Alison Croggon …