Tiny Bricks’ All One demonstrates that live-streaming theatre is a whole new ballgame, says Ben Brooker
contemporary Australian plays
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Robert Reid continues his isolation reviews of Australian plays with Angela Fewster’s Black Crysanthemums
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Kim Ho’s The Great Australian Play at Theatre Works is a post dramatic swing at some of Australia’s favourite colonial tropes. Historian and playwright Robert Reid unpicks some of its threads
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Thigh Gap at La Mama tracks how the demands of patriarchy turn us into monsters, says Robert Reid
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‘It’s a different beast altogether than Who’s Afraid of the Working Class, and not only because all the writers are older’: Alison Croggon on Anthem
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A pastiche epic of the Australian and British theatre of the 70s with a dash of feminist politics as its core, The Other Place is neither wild nor smart enough, says Robert Reid
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‘In this assertion of humanity lingers the spark that becomes revolution’: Robert Reid on Wild Cherries at La Mama
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Emina Ashman’s debut play Make Me A Houri is a compelling and often hilarious picture of female desire in patriarchal society, says Alison Croggon
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Hallowed Ground gives space to the unheard stories of women in the army, but Robert Reid says that the rhetoric of militarism suffuses every scene