Carissa Lee attends the first session of Assembly for the Future for BLEED 2020 and leaves with a sense of hope
indigenous performance
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Indigenous critics Monique Grbec and Carissa Lee discuss Isabella Whāwhai Waru’s audio performance, Rest
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Aboriginal comic Angelina Hurley shines a spotlight on three of her favourite comedians
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What is the real cost of on-demand connectivity? Emele Ugavule offers warnings, advice and some handy tips
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Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts
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Monique Grbec on Buŋgul, a breathtaking opening to the Perth Festival’s all-Indigenous first week
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Isabella Whawai Waru’s Where We Stand raises urgent questions about the structures that inform Indigenous artmaking, says Jacob Boehme
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These days, says comic Angelina Hurley, there’s no excuse not to understand Aboriginal and Torres Strait Islander cultures. And what better way to get to know them than through humour?
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DubaiKungaMiyalk’s Same but Different foregrounds the vast range of contemporary Indigenous dance, says First Nations Emerging Critic Jacob Boehme
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First Nations Emerging Critic Carissa Lee discusses why culturally informed reviews are crucial for Indigenous performance
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