indigenous performance

Carissa Lee attends the first session of Assembly for the Future for BLEED 2020 and leaves with a sense of hope

Indigenous critics Monique Grbec and Carissa Lee discuss Isabella Whāwhai Waru’s audio performance, Rest

Aboriginal comic Angelina Hurley shines a spotlight on three of her favourite comedians

What is the real cost of on-demand connectivity? Emele Ugavule offers warnings, advice and some handy tips

Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts

Monique Grbec on Buŋgul, a breathtaking opening to the Perth Festival’s all-Indigenous first week

Isabella Whawai Waru’s Where We Stand raises urgent questions about the structures that inform Indigenous artmaking, says Jacob Boehme

These days, says comic Angelina Hurley, there’s no excuse not to understand Aboriginal and Torres Strait Islander cultures. And what better way to get to know them than through humour?

DubaiKungaMiyalk’s Same but Different foregrounds the vast range of contemporary Indigenous dance, says First Nations Emerging Critic Jacob Boehme

First Nations Emerging Critic Carissa Lee discusses why culturally informed reviews are crucial for Indigenous performance