Clockfire Theatre Company’s film adaptation of its physical theatre work we, the lost company sets a high bar, says Caitlin Doyle-Markwick
performance online
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The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we musn’t blow it
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A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says that it’s a model of accessible dance
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Olivia Muscat is transported by Hannah Brontë’s audio-visual work mi$$ Eupnea at BLEED 2020
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Harriet Cunningham on two virtual operas – Three Tales, an adaptation of Flaubert’s stories from Victorian Opera, and Gertrude Opera’s 2020 take on Menotti’s The Telephone