‘This production is certainly well-intentioned, but it’s let down by its larger architecture’: Alison Croggon …
shakespeare
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An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night
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First Nations Emerging Critic Carissa Lee on The Danger Ensemble’s boundary-pushing The Hamlet Apocalypse
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New Review critic Georgia Mill encounters a feminist twist on Shakespeare in Wit Incorporated’s Ophelia …
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Carissa Lee reflects on Bell Shakespeare’s recent intimate production of Antony and Cleopatra
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Alison Croggon reviews Kings of War: “The teeming detail that enlivens Shakespeare’s work – the …