The Rabble’s triptych Unwoman is a scorching interrogation of how the reproductive body is controlled …
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The Melbourne Theatre Company’s Photograph 51 dramatises the inexorable diminishment of a brilliant woman, says …
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“It makes sense to take a theatrically experimental approach to this work; what baffled me …
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‘It feels as urgent as his work ever has, but the complexities have deepened profoundly. …
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‘It’s a different beast altogether than Who’s Afraid of the Working Class, and not only …
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Alison Croggon on Branch Nebula’s High Performance Packing Tape and Yang Liping’s Rite of Spring …
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Emina Ashman’s debut play Make Me A Houri is a compelling and often hilarious picture …
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‘This production is certainly well-intentioned, but it’s let down by its larger architecture’: Alison Croggon …
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‘We don’t often see this kind of Artaudian excess on our stages: it’s one of …
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Modern Māori Quartet: Two Worlds is a delightful and profoundly moving opening to Big World, …