Theatre isn’t in trouble in this country because of the pandemic. As Robert Reid explains, …
Robert Reid
Robert Reid
Robert Reid is co-editor and co-founder of Witness and runs our educational resources. He is a playwright, director and academic. His award-winning plays have been produced by the Melbourne Theatre Company and his own independent companies. He is artistic director of the games-based performance company, Pop Up Playground, and his Platform Paper on theatre and digital marketing was published by Currency Press in 2011. He recently completed his PhD in Australian Theatre History.
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Robert Reid attends The Wilds on the opening night of Rising, and finds that it’s …
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The feminist scifi Mara Korper is challenging, enjoyable and possibly the smartest theatre you’ll see …
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After more than a decade apart, comedy due Lano and Woodley have lost none of …
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Malthouse Theatre’s Because the Night is impressive in many ways, but it’s only a first …
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Insider jokes on classic horror tropes and vaudeville clowning make Innes Lloyd’s latest show a …
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Elbow Room’s joyous production of Enlightenment shows the strengths of Melbourne’s indie theatre scene, says …
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An irresistible musical with a dark heart, Fangirls summons the chaos of adolescence, says Robert …
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Branch Nebula’s High Performance Packing Tape pushes cheap material – and Robert Reid’s patience – …
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In A German Life, Robyn Nevin gives a masterly performance of complicity as she recounts …