Witness Critical Focus: Dance Massive 2019
An engrossing exploration: Robert Reid on Alison Currie’s Concrete Impermanence
Critical Focus: Dance Massive
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Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann
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‘The space is contested but the dynamics of power are fluid’: Andrew Fuhrmann on Anouk …
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‘A profoundly elegant collaboration’: Alison Croggon on Kristina Chan’s meditation on climate change, A Faint …
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DubaiKungaMiyalk’s Same but Different foregrounds the vast range of contemporary Indigenous dance, says First Nations …
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‘We all vanish, but the traces of our passing – ephemeral, glittering – remain in …
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‘Meticulously planned and conscientiously put together, it suggests a feeling of completeness and sufficiency’: Andrew …
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‘This most recent work from Marrugeku cements its place as one of Australia’s most exciting …
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‘An assault against the palaces of representation and a disruption of the mediated gaze’: Andrew …
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‘A swirling, restless piece, a busy but visually appealing spectacle that fills the eye’: Andrew …