‘Some days it feels like I’m a starving animal, happy to accept the tiniest crumbs someone is willing to throw my way’: Blind critic Olivia Muscat calls for a total rethink of our ideas about inclusion
Editor’s Picks
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What does it mean when theatre changes the rules? Robert Reid dives into the worlds of immersion, participation, performance and play.
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The final episode of Robert Reid’s first series of Witness Histories looks at the past forty years, bringing us up to the present day
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Applications are now open for the 2019 First Nations Emerging Critic
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Alison Croggon on Ridiculusmus’s extraordinary final show, the maddening and deeply moving Die! Die! Die! Old People Die!
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‘I was desperately waiting for something to throw me off, to make me sit up and really pay attention’: Blind reviewer Olivia Muscat attends an audio-described performance of The Architect