Under the Melbourne lockdown, Kimberley Twiner and her housemates have discovered a new audience – their neighbours
Editor’s Picks
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The video performances of Come to Where I Am provide the holiday we all need in lockdown, says Monique Grbec
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The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we musn’t blow it
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A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says that it’s a model of accessible dance
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Podcast: Ben Keene examines how BLEED 2020 pivoted to existing entirely online after Covid-19 hit in March this year
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‘A slow, conscious rebuild’: If we’re going to come back after COVID-19, says Isabella Vadiveloo, we should take the time to do it right