The Rob Guest Endowment debacle is a missed opportunity for change, says Sonya Suares
Editor’s Picks
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Hong Kong pro-democracy activist Annika Yan recalls how a co-production of The Winter’s Tale with Melbourne students earlier this year foreshadowed the repression that was to come
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In the second Witness essay on digital life for BLEED 2020, highly-online writer Asher Wolf contemplates her online and corporeal lives in an isolated forest during COVID-19
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Disabled actor and theatre maker Kate Hood, blind writer and critic Olivia Muscat and able-bodied writer Emilie Collyer have a wide-ranging conversation about disability, opportunity and the arts sector