Performance photographer Pia Johnson reflects on the many roles that photography can play in the theatre: as memory, as dramaturgical device and as an art in itself
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Performer Kimberley Twiner says that when live performance moves online, we lose something crucial
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Aboriginal comic Angelina Hurley shines a spotlight on three of her favourite comedians
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Now we’re all extras in a disaster movie, Robert Reid thinks through the dramaturgy of pandemic
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Alison Croggon thinks it’s time we faced up to the fact that everything is going according to plan
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What is the real cost of on-demand connectivity? Emele Ugavule offers warnings, advice and some handy tips
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The shift to social isolation has been brutal. Ben Brooker wonders if embracing its strange absences might be a way through crisis
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What is left when live performance is over? Emilie Collyer traces the lingering effects of sitting in the dark
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Joel Bray’s Daddy is the latest in a series of formally audacious works that are revolutionising Australian performance. Bryan Andy unpacks its Blak and queer contexts
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Independent theatre faces huge challenges, but artists are fighting back. Ben Brooker looks at RUMPUS, a co-operative venture in Adelaide about to enter its second year