Features

Disabled actor and theatre maker Kate Hood, blind writer and critic Olivia Muscat and able-bodied writer Emilie Collyer have a wide-ranging conversation about disability, opportunity and the arts sector

Maybe traditional performing arts could learn a lot from YouTube vloggers and online games. For the launch of BLEED 2020, Robert Reid investigates live digital performance

‘A slow, conscious rebuild’: If we’re going to come back after COVID-19, says Isabella Vadiveloo, we should take the time to do it right

What is a play? What does it mean to read it? Mark Pritchard takes us through the process of conjuring a three-dimensional world from the two dimensions of a page

Artist duo Make or Break track the emotional fallout after their new work for Next Wave was cancelled

Is inequity threatening the future of the arts? Duncan Graham analyses our two-tier federal funding structures and finds them wanting

Grief, longing, absence: Carissa Lee ponders intimacies beyond and through the screen

‘Art matters, just as the environment matters, for its own sake.’ Harry Saddler says the rehabilitation of Merri Creek is a vivid reminder of how community action can create a different future

Performance photographer Pia Johnson reflects on the many roles that photography can play in the theatre: as memory, as dramaturgical device and as an art in itself