Disabled actor and theatre maker Kate Hood, blind writer and critic Olivia Muscat and able-bodied writer Emilie Collyer have a wide-ranging conversation about disability, opportunity and the arts sector
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Maybe traditional performing arts could learn a lot from YouTube vloggers and online games. For the launch of BLEED 2020, Robert Reid investigates live digital performance
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‘A slow, conscious rebuild’: If we’re going to come back after COVID-19, says Isabella Vadiveloo, we should take the time to do it right
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What is a play? What does it mean to read it? Mark Pritchard takes us through the process of conjuring a three-dimensional world from the two dimensions of a page
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Artist duo Make or Break track the emotional fallout after their new work for Next Wave was cancelled
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Is inequity threatening the future of the arts? Duncan Graham analyses our two-tier federal funding structures and finds them wanting
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Grief, longing, absence: Carissa Lee ponders intimacies beyond and through the screen
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‘Art matters, just as the environment matters, for its own sake.’ Harry Saddler says the rehabilitation of Merri Creek is a vivid reminder of how community action can create a different future
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Performance photographer Pia Johnson reflects on the many roles that photography can play in the theatre: as memory, as dramaturgical device and as an art in itself
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Performer Kimberley Twiner says that when live performance moves online, we lose something crucial