‘If there is space made for my story, I can make space for yours.’ Emilie …
Melbourne Fringe
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Dance Plant Collective’s MEAT raises complex ethical questions, says New Review critic Georgia Mill
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Alison Croggon unloosed her inner child and ventured to German theatre maker Sybille Peters’ live …
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Robert Reid and Sayraphim Lothian attend an intriguing auditory experience for children, I Am Hear, …
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Never Ending Night, a post-apocalyptic immersive experience, leaves Robert Reid pondering his role as an …
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Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, …
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A compelling piece of immersive performance, Sleepover Gurlz leaves New Review critic Vanessa Giron questioning …
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‘Who knows what seeds are now planted in those tiny, amazing brains?’ Alison Croggon on Only …
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Powerful, inventive and beautiful, Alison Croggon says that Stephanie Lake’s Colossus is her most exciting …
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Skye Gellman’s solo show End Grain feels a little lost, says First Nations Emerging Critic …