Melbourne Festival reviews
First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my …
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‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet …
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‘Beau is a body inhabited by ghosts that in turn summon ghosts’: Robert Reid on …
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‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One …
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Vox Motus’ Flight is a powerful artwork about child asylum seekers that drives home global …
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Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an …
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La Boite’s Prize Fighter packs a mighty emotional punch, says Robert Reid
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The music of Mark Morris’ Layla and Majnun is unmissable, says Alison Croggon. But she’s …
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‘Trauma, its aftershocks, its fragmentation, its strange, loud silence.’ Alison Croggon on Rawcus’ Song for …
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Robert Reid finds the circus of NoFit State’s Lexicon impressive but lacking in focus
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