Youth critic Gully Thompson is both enraptured and frustrated by Unicorn Theatre’s The End of Eddy
Melbourne Festival
-
-
Antony Hamilton’s Token Armies is ambitious and challenging, but it ultimately leaves Georgia Mill wanting more
-
‘If you’ve ever overcome the acid of social stigma, the euphoria of these artists speaks for you’: Monique Grbec on Gender Euphoria at the Melbourne Festival
-
“It makes sense to take a theatrically experimental approach to this work; what baffled me was the falsity that hollows out its artifice.’ Alison Croggon on The Nico Project
-
Back to Back Theatre’s The Shadow Whose Prey the Hunter Becomes is thick with what is left unsaid, says Jane Howard
-
‘It feels as urgent as his work ever has, but the complexities have deepened profoundly. Unmissable.” Alison Croggon on Hofesh Schechter’s Grand Finale at the Melbourne Festival
-
‘It’s a different beast altogether than Who’s Afraid of the Working Class, and not only because all the writers are older’: Alison Croggon on Anthem
-
Alison Croggon on Branch Nebula’s High Performance Packing Tape and Yang Liping’s Rite of Spring in the opening week of the Melbourne Festival